As a little kid, I always dreamed about being a grownup, and getting to decide exactly what I wanted to spend my money on. From the perspective of a child, it meant getting to buy as many Snickers and Whatchamacalits (a highly underrated candy, IMHO) as I could fit in my purse, seeing eight movies a week, and keeping up with my bimonthly subscriptions to Amazing Spider-Man and Uncanny X-men. Yup, I was a pretty cool kid. The idea of “discretionary income” was an alien concept — all money is discretionary when your parents cover shelter, food and warmth, and your major concerns are pretty much confined to standardized tests and trying not to blow your allowance in one week.
I feel like most of my friends tended to spend what teenage money they had on largely the same type of stuff — slices of pizza, Starbucks lattes, songs from iTunes or videogames, and the occasional splurge on a pair of Converse or concert tickets. I’ve loved watching us all grow up and define our spending priorities — what makes the cut for a twenty-something devoting the majority of her budget to rent and utilities? These days, we all choose different indulgences, and frankly, I think we’re all justified to spend our money as we like. Most of my discretionary income goes towards eating, be it keeping my fridge stocked or hitting all the spots (and more) that appear on this blog. Could I be living on Cup of Noodle or PB&Js and be saving more than I am? Sure, but I’d like to believe that happiness should be a budget priority, too.
So although a certain black-hole of NYC dining expense is part of my standard arithmetic, I will also never turn down a good deal. Especially one of the caliber of “Industry Night” at Osteria Morini, a weekly pasta-themed bargain I took advantage of a couple snow storms back.
Osteria Morini is one of the more casual spots in chef Michael White’s Altamarea Group of high-end Italian restaurants, from sea-food centric Marea to his new steakhouse Costata, to the Midwestern-infused pizzeria Nicoletta. Even resting on the lower end of the affordability-scale, Osteria Morini is generally far from a cheap eat, and so when I heard about their “Industry Night” special, I jumped at the chance to finally try out one of White’s restaurants. The deal, running Monday nights from 9pm till close, discounts almost all of the pasta dishes down to $10 (from usually $20 or more), and offers bottles of Lambrusco for $28. Although you can’t get the pricier lasagna, risotto or polenta dishes, you still end up with about a dozen options of hand-made fresh pasta and stunning accompaniments.
So the Super Friends of Super Eating (aka, Mike, Jacob and I) assembled once more, and headed over to Osteria Morini, pretty damn hungry after waiting until 9pm to have some dinner (seriously, I don’t get how Europeans eat that late regularly).
The warm and comfortable interior of Osteria Morini, complete with exposed brick walls.
Osteria Morini is located on Lafayette, just half a block away from the Spring Street 6 train stop. The exterior balances on the edge of ostentatious, its name emblazoned on a large sign brightly lit in the winter evening gloom. Yet the interior is immediately recognizable as the understated Italian-American red-sauce joint, full of dark wood, accents of red on the walls and on the place settings and low-lighting that makes the case for intimacy amongst the hum of conversation and clinking of silverware.
A few retro postcards to make you miss the Old Country, plus the White House to make you love the New World.
A long bar takes up the front half of of the restaurant, starting a few feet from the entrance and running all the way back to the dining room. There are a few small tables wedged into the space across from the bar, an indication of the volume of diners Osteria Morini sees daily. The walls around the bar are covered in photos and framed retro postcards from America and Italy, while the dining room is adorned with home-style touches such as paintings and shelves lined with kitchen accoutrements, from wine glasses to pots and pans. We were seated at a banquet table in the back left corner of the restaurant, providing great views of both the bustling kitchen and the packed tables. Clearly this deal is not really “insider info” anymore (if it ever was).
The view from our table of the rest of the dining room.
A look back at the kitchen (and secret bread warming drawer).
My first bottle of Lambrusco, and probably my last (though Jacob and Mike liked it).
The game plan, as always, was drinking and overindulging in shared plates. With that in mind, we decided to make the most of Osteria Morini’s “Industry Night” deal, ordering some Lambrusco to start. I had never had Lambrusco, so deferred to Mike who picked a bottle of Fattoria Moretto off the wine list. This was my first sparkling red wine, lightly carbonated with a punch of sweetness at the start and tart acidity at the end. I’m glad I tried it, but I’m not sure I would order it again. I think I prefer my Prosecco and my Chianti in separate glasses.
At the suggestion of our server, we ordered a few starters to supplement our pastas, beginning with the Lamb Crudo Crostini and the Insalata Mista. For the pastas, we ordered the Stracci, the Tagliatelle, and the Spallina. I had just come off of splitting a Salty Pimp that afternoon with my mother (wow, that’s a sentence I’d never thought I’d write), so I opted out of dessert (ostensibly, though bites were had), but Jacob and Mike finished the meal with the Torta de Olio.
Excellent bread, but really, no olive oil?
Our meal began with a basket of complimentary, thick cut focaccia. The bread was puffy and warm, pulled from a warmer drawer outside the kitchen and sliced just before it was served. You can see in the photo the crackly, salt-speckled crust and pillowy interior, leagues above the generic Italian bread thrown on the table at many restaurants. The only disappointment was that it was served solo — nary a pat of butter nor drop of olive oil in sight. I was perfectly happy to chow down on the bread, and maybe Michael White thinks it stands alone, but I’d like to try it with a bit of olive oil just for the sake of science.
The Lamb Crudo — deceptively filling considering its petite size.
All of our food arrived pretty quickly, our appetizers appearing on the table before we’d even finished the bread. At first I was concerned about the portions of the Lamb Crudo (olive oil, chives), since the plating seemed to heavily favor the crostini over the meat. However, the richness of the tartare proved that the plate was balanced. Normally I’m not particularly into raw foods (see my gradual acclimation to sushi), but I am a big fan of lamb, so it seemed like a risk worth taking. I enjoyed the gaminess of the meat in contrast to the fresh herbs mixed in with it. The lamb was finely ground, giving it a soft, slippery mouthfeel that spread easily on the crostini. Osteria Morini earns more points in the bread box, since the slices were griddled instead of baked, preventing the almost-stale, cracker-like hardness that can come with bruschetta, when the bread just shatters in your mouth and spreads crumbs everywhere. Here the bread was thinly sliced, crunchy but still pliable, and a great vehicle for the crudo. All in all, I’m glad I tried it, although in terms of personal satisfaction, I’m not sure I would get it again. I definitely missed the caramelization and tender chew you get from cooked lamb, but maybe it’s simply a matter of me working my way up to the concept of raw proteins.
Our other appetizer was surprising in a different way — imaginative, light and refreshing.
I hate to sound like a broken record already (we haven’t even reached the entrees, Maggie!), but I was nervous about ordering the Insalata Mista (mixed greens salad, apples, seasonal vegetables, Morini vinaigrette) because of disappointing memories of Olive Garden lunches in my youth. Those salads were sad specimens of greenery, limp romaine lettuce topped with stale croutons, flavorless cucumbers, and a handful of grape tomatoes. However, the dish’s description suggested Osteria Morini had more up it’s salad sleeve, and sure enough, the Insalata Mista far exceeded expectations. It was a great mixture of greens — crunchy, chunky romaine intermingled with radicchio, some peppery arugula, and a little frisee. The sweet red apples were thinly sliced and tossed with the pomegranate seeds in between the vegetables, the whole shebang covered with a dressing that coated the salad without weighing it down, just the right mix of acid and sweet. Weird as it might be to say this, it was a memorable appetizer salad, a refreshing and light entryway into the heavier pasta course.
The Stracci, crippled by its plating.
Our pasta dishes arrived basically at the same time, so I’ll tackle them in order of increasing favorability. The Stracci (wide ribbon pasta, braised wild mushrooms, rosemary oil) was the least favorite of our choices, although I think I enjoyed it more than Jacob and Mike. Unfortunately, the dish suffered due to its plating — the long pieces of pasta clumped together, like an overpacked container of chow fun noodles. Instead of distinct pieces of wide ribbon, you ended up getting small stacks of layered, slightly gluey pasta. It was clearly fresh and hand-made, but the delicacy of that craftsmanship was lost when piled in a small bowl, which made it difficult to get a bite that had all of the components of the dish in it, and led to the pasta generally overwhelming the rest of the ingredients. However, when tasted separately, the mushrooms were great, and pairing them with rosemary is always a dynamite combination. I especially appreciated the light sauce, considering the weight of the pasta, and the parmesan on top was deftly applied, although again it was hard to mix it into the bulk of the dish because of the mass of starchy noodles. It seems like simply plating the Stracci in a longer or more oval dish would make it far more successful, since the simple ingredient list seems geared to have the pasta shine.
The Tagliatelle — Michael White’s version of mama’s bolognese.
The Tagliatelle (ragù antica, parmigiano) had been highlighted in a couple of reviews of Osteria Morini that I read, so I pushed for us to order it. I’d wager this dish best captures the aim of Osteria Morini, at least on the pasta side — classic, homestyle cooking executed with real skill and presented in a pretty, if reserved manner. The Tagliatelle was pretty much an elevated bolognese, a simple but stellar display of familiar flavors. The antica ragu combines veal, pork and beef, crumbled into a classic base of tomatoes, onions, herbs and spices. Here, the wavy strands of pasta were the perfect vehicle, allowing a twirl of the fork to scoop up the chunky sauce into the little crevices between noodles. The fresh cheese on top added a nice salty addition to the meat and harmonized the elements of the dish. It seems obvious to say, but you don’t realize how shockingly refreshing authentic red sauce is until you take a break from the Prego jar. Jarred pasta sauce is so sweet, where as at Osteria Morini the sauce never overwhelms the palate — the natural sweetness of the tomatoes is balanced but their acidity and the floral herbs. It’s visually evident that the Tagliatelle was just a far more balanced plate, since you could see the nearly equal proportions of meat and sauce to noodles.
The Spallina — double the ravioli, double the fun.
As satisfying as the tasty, but recognizable Tagliatelle was, I enjoyed the Spallina (double ravioli, squacquerone cheese, rabbit, porcini) the most out of our pastas because it took an item I knew (ravioli) and stuffed it with an unfamiliar filling. Rabbit seems to be increasingly popular on NYC menus these days, but I have only had it a handful of times in my life, so I leapt at the chance to try Osteria Morini’s take. I also felt it was the most visually appealing in terms of presentation. I don’t think I’d ever seen double ravioli before, so I was delighted to find our bowl filled with petite ravioli pillows with a divot in the middle, splitting up the pockets of rabbit, mushroom and squacquerone (a soft, spreadable cow’s milk cheese). The dish seemed to be drizzled in some sort of balsamic reduction, acidic with a hint of sweetness against the umami-forward filling of mushrooms and cheese. The rabbit was subtle, just a hint of gaminess. There just seemed to be a perfect ratio of filling to pasta, allowing both the interior and the exterior of the dish to shine. I would definitely order a bowl of the Spallina for myself over the other dishes — it was new and intriguing, but still somehow instantly familiar and comforting (probably the cheese, cheese makes everything comfy).
The Torta di Olio — an ode to olive oil sure to satisfy fans.
Now I had every intention of abstaining from dessert, but damn, it’s hard to resist a piece of cake in front of you. And the Torta di Olio (olive oil cake, citrus marmalade, ricotta crema, espresso gelato) was a pretty sexy looking specimen, a thick slice of golden cake glistening with mouthwatering sheen. I’ve never really liked olive oil cakes, but Osteria Morini’s version almost made me a convert — it was like a thick slice of pound cake soaked in oil. The taste was clean and instantly recognizable, and while it still hasn’t won me over, this was clearly a well-done version of the dessert. The accompaniments ranged in texture and flavor, from the crunch of the nut crumble to the silky richness of the ricotta crema, to the potent bitterness of espresso gelato, flecked with visible bits of beans. Like the Tagliatelle and the Lamb Crudo, this was a case of a well-executed classic dish incorporating high quality ingredients. All three were satisfying, especially if you’re already a fan of the dishes in most iterations, but I found the more unconventional plates at Osteria Morini to be the most memorable.
Overall, it’s hard to argue against the value of a deal like Osteria Morini’s “Industry Night,” and I’d happily come back another Monday to try some of the other pastas and appetizers. From the restaurant’s general atmosphere to the service and the food, everything felt approachable and relaxing, intended to remind the diners of a night out at the neighborhood trattoria. The only complaint I had (which happens at a lot of restaurants when you order a separate beverage) is that the staff could have been more attentive to our water glasses, but I’m an extraordinarily thirsty person, so this might not bother others as much. Basically, if you can splurge, go whole hog and visit Osteria Morini any night of the week — try the risotto and tell me how it is! But if you’re picking and choosing with your grownup indulgences, check out “Industry Night” on Mondays and have yourself a rustic, homey meal that won’t burn a hole in your wallet. That way you can still buy your weight in Snickers bars.
218 Lafayette St.