Be Careful What You Wish For

Hi Guys — I kinda owe you all an apology. See, when I was starting this blog, I promised myself I wasn’t going to be one of those annoying bloggers who just stops updating without a word, leaving her readers wondering if the writer was carried off by coyotes. Well, I’m happy to report that my days have been coyote-free, but not that free of much else.

Life’s been pretty crazy recently, and I find myself with a surplus of happiness and fulfillment, but a real deficit of time. My new job at the James Beard Foundation gives me ample opportunity to explore the wonderful world of food and write about it (please visit our blog Delights & Prejudices, if you’re so inclined), but I’m still very much getting into the swing of things. And considering that I’ll be starting school at night come Labor Day, well, I think the most honest and fair thing I can do is admit that I won’t be able to update Experimental Gastronomy as regularly. This is not the end, I promise you that. I mean, it’s not like I’m going to stop documenting my addiction to ice cream and eggplant (not together though, because ew). But I have a feeling that working and learning about food will unexpectedly translate into eating out less. So I guess both you and I will have to learn to savor each meal a little more.

So if you’re willing to go on this irregularly scheduled journey with me, I can’t thank you enough. I’m hoping that the more I learn, the more I’ll be able to share, from photos of outrageous desserts to discussions of issues of food policy, culture, and history. If you’re the impatient type and eager for some slightly more instant gratification, feel free to check out my comings and goings on Facebook, Twitter, and Instagram.

 

In the meantime, here are some of my favorite dishes and bites from the summer:

 

The Tater Pie from Jeremys

The Tater Pie from Jeremy’s Ale House. A brunch-exclusive cardiac threat.

This, my friends, is a Tater Pie from Jeremy’s Ale House at Southstreet Seaport. Tater tots, American cheese, beef chili, and a fried egg to seal the deal. And this was just part of a heart attack brunch of fried seafood glory we had for my friend Laura’s (of jam fame) birthday.

 

 

Uovo from SD26, perhaps the best definition of "luxury item."

Uovo from SD26, perhaps the best definition of “luxury item.”

Outrageous Uovo (soft egg yolk filled raviolo with truffle butter) from SD26, just above Madison Square Park. This was my appetizer during a Restaurant Week Lunch with my parents, and it is every bit as decadent as you would expect from that description. The raviolo was constructed from freshly house-made dough, so thin and delicate you can see the bulk of the egg yolk shimmering through the top. A light puncturing with my fork let the soft yolk ooze out, mixing in with the dense ricotta-spinach filling and the truffle butter sauce at the bottom of the dish. I chose SD26 for Restaurant Week precisely because of this dish, which I saw Odette Fada cook on Top Chef Masters. If you can find an excuse, go and try this dish out — it actually lives up to the hype.

 

 

House Special Pan Fried Dumplings from Nom Wah Tea Parlor, one delicious part of their extensive dim sum menu.

House Special Pan Fried Dumplings from Nom Wah Tea Parlor, one delicious part of their extensive dim sum menu.

 

Prosperity Dumplings

Prosperity Dumpling‘s take on pan fried pork — very cost effective, if not the highest quality ingredients.

 

Heres

And here’s are Prosperity Dumpling‘s boiled shrimp dumplings, available in small or large piles. Proceed with caution, 10 dumplings is actually a substantial amount of wonton wrapper.

In our continuing run of use-a-gift-as-an-excuse-to-eat, Laura treated me to a Chinatown dumpling crawl for my birthday. The summer was so busy we didn’t actually get to do it until it was closer to her birthday than mine, but it was still a wonton wonderland of an afternoon. My favorite was the House Special Pan Fried Dumplings (Pork and shrimp dumpling in a homemade wheat wrapper and pan fried) from Nom Wah Tea Parlor, a Chinatown dim sum institution. We had just come from Prosperity Dumpling, where you can get an absurd quantity of dumplings for pennies (we had 10 shrimp dumplings for $3.50, and 4 fried pork & chive dumplings for $1). Prosperity is definitely more bang for your buck, but the dumplings you get at Nom Wah are clearly of a higher quality. Not that I have a huge amount of experience with pork, but even a neophyte like me could pick out a discernible improvement in flavor at Nom Wah compared to Prosperity’s pork & chive entry, and the extra small shrimp (that is their classification, apparently) in our mountain of shrimp dumplings couldn’t hold a candle to the actual chunks of larger shrimp in Nom Wah’s House Special. I also got to try my first soup dumplings at Nom Wah, and I’m eager to go back and have more, not to mention explore the rest of the diverse dim sum menu.

 

Xian Famous Foods Spicy and Sour Lamb Dumplings. Less mainstream, but still leaving quite the impression.

Xi’an Famous Foods’ Spicy and Sour Lamb Dumplings. Less mainstream, but a must for lamb fans.

We finished up our dumpling tour at Xi’an Famous Foods, with a slightly less mainstream pick of Spicy and Sour Lamb Dumplings (Classic boiled dumplings stuffed with lamb meat, smothered in their signature spicy and sour sauce). I wanted to visit Xi’an because I had heard about their Spicy and Tingly Lamb Face Salad (still on my list), and as a lamb aficionado, I couldn’t pass up the chance to have lamb dumplings. These are probably tied with Nom Wah’s House Special for my favorite, because of the variety of flavors and the complexity of the dish. The lamb had some depth to it, clearly not just sausage meat, which worked with the brightness of the cilantro and chopped cucumber sprinkled on top of it. The sauce was reminiscent of hot and sour soup, with a little more punch to it that left a little tingle on my lips. According to their website they’re opening up a new location on the UES, around the corner from my synagogue, so I’ll be able to do my Jewish New Yorker duty and have a little Chinese nosh after temple.

 

My parents and I ended up bookending Restaurant Week, since we also (completely accidentally) visited a participating spot near the beginning of the discount’s run. We were looking to have a meal up by my apartment, and so booked a table at The Writing Room. The Writing Room opened in the old Elaine’s space, but unlike its predecessor, the emphasis is very much on the food over the scene. That’s not to say that the restaurant is visually unappealing — it’s actually very nicely appointed, with a modern cum steampunk aesthetic, featuring a black and white newsprint color palette, Edison bulbs in wrought iron fixtures, and nods to journalism with newspaper racks up front, a card catalogue wall along the back, and a smaller rear dining room decorated and appropriately called “the library.” As it happened, we got a glimpse of the old Elaine’s celebrity magnetism, as NYPD Commissioner Bill Bratton was seated in the library during our meal.

 

The Writing Room Fried chicken: An impressive balance of crunchy crust to moist interior.

The Writing Room’s Fried Chicken: An impressive balance of crunchy crust to moist interior, plus a bangin’ biscuit.

 

Check out the side of Smoky Grits at the Writing Room for a delicious dose of Southern-inflected arterial clogging.

Check out the side of Smoky Grits at The Writing Room for a delicious dose of Southern charm.

As for the food itself, I would recommend checking The Writing Room out for their bread program, and for their Southern-inflected menu items. Out of all the dishes we had, the standouts were my father’s Fried Chicken (Cole Slaw, Buttermilk Biscuit), and the side of Smoked Corn Grits. The breading on the chicken was gorgeous, shattering as you bit into it, buttery and salty without being too greasy. The breast was pretty good, but the drumstick took the cake for me, the meat moist in contrast to the crisp coating. The biscuit was as superb as the complimentary home-made Parker House rolls that are served at the start of the meal, like an upscale version of Cracker Barrel’s biscuits (and I mean that as a huge compliment). As for the grits, they were chock full of real corn kernels, with the smoky flavor present but not overpowering the dish, and the grits having just enough heft to them to achieve a mashed potato-like texture. So if you’re willing to double down on carbs, check out The Writing Room — I’m planning on returning for brunch, because I bet they make a mean french toast.

 

Thanks for sticking with me as Experimental Gastronomy enters its tumultuous blogdolesence. It’s been a fantastic ride for me so far, and I’m hoping that diversifying what I write about will make this project even more interesting. Don’t worry though, I’m not giving up my side career as a food porn purveyor. As I mentioned above, keep track of my on-the-go snackshots via Instagram or Twitter, or my commentary on labneh, tetrapak wines, and more at Delights & Prejudices. It’s a long term goal to find a way to work Oreos into their blog content.

 

Jeremy’s Ale House

228 Front St.

www.jeremysalehouse.com/

 

SD26

19 East 26th St.

http://www.sd26ny.com/

 

Nom Wah Tea Parlor

13 Doyers St.

https://nomwah.com/

 

Prosperity Dumpling

46 Eldridge St

http://prosperitydumpling.com/

 

Xi’an Famous Foods (multiple locations in NYC)

http://xianfoods.com/

 

The Writing Room

1703 2nd Ave (between 88th and 89th)

http://www.thewritingroomnyc.com/

 

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A New York Steak of Mind: Peter Luger Steakhouse

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Growing up just outside of the City in Westchester County, you would think my childhood was simply brimming with classic New York experiences. And while yes, I was lucky enough to see Broadway shows multiple times a year, chilled with the dinos at the Natural History Museum like it was my part-time job, and rode the Circle Line with my 3rd grade class, I missed out on many “typical” New York activities because they seemed cliche, touristy, and lame to a blase teenaged local. Even now, having come back to actually live in Manhattan post-college, there are still certain items left unchecked on my city to-do list, simply because of the way they make the native New Yorker hairs on the back of my neck rise (we’re not going to even engage in the from the city/from the suburbs who’s a native debate here — I’m at least a New York Stater by birth).

One of the crucial things you learn as you grow up, however, is that sometimes doing the “lame” or “touristy” thing is worthwhile. For every double-decker-open-air bus tour of Chinatown, there’s a mainstream experience that is popular because it’s actually pretty effing fantastic. Sometimes the hype is actually not hype at all, but merely an abundance of exuberance that should be heeded. And thankfully, there are still a few long-time New York institutions like Peter Luger Steakhouse to slap some starry-eyed sense into this skeptical New Yorker. Nothing like a healthy dose of history (and cholesterol-raising meat) to give a jaded girl a little bit of wonder.

I’ve talked about New York dining institutions before, but Peter Luger is in a different category. The restaurant was established not in the 21st nor 20th centuries, but way back in 1887 in then-predominantly-German neighborhood of Williamsburg (to this day mere blocks from the Williamsburg Bridge). It has been awarded one Michelin Star, was named to the James Beard Foundation’s list of “American Classics,” and was named the best steakhouse in New York by Zagat 28 years in a row (a fact they proudly showcase by lining a wall with the annual award plaques). It is the kind of place that is so popular, they can operate on a cash-only policy. Let me repeat that — a cash only policy. At a steakhouse. Well, to be honest they do honor one credit card — the Peter Luger Card. When I first heard about this, I was pretty skeptical. It sounded absurd, overblown, the kind of place that preys on poor schmucks who go to New York and think that they’re having a real authentic slice of pizza at a random “Original Ray’s.” But even before I knew of all the history and accolades, I had been told by multiple sources over and over that Peter Luger was a must-visit, a unique and extraordinary experience if you liked steak at all. So I tried to stay open-minded, paid a visit to an ATM, and made my way with a group of friends to Williamsburg last Friday night.

 

First Impressions:

The unobtrusive, classic brick facade of Peter Luger Steakhouse.

The unobtrusive, classic brick facade of Peter Luger Steakhouse, a legend looming large on the corner.

 

Because of its enduring popularity, my friend Peter was only able to score a reservation for 6 at 9:45pm, presumably the last seating of the night. Consequently, everything around Peter Luger was closed, and lent the restaurant a sort of “shining beacon” quality (this might have also been due to my intense hunger — I operate more on the early-bird special schedule than the Continental late night dining scene). Peter Luger sits squarely on the corner of its block, the decor traditional and old-fashioned both outside and in. Outside the worn dark wooden signage announces just “Peter Luger” — no mention of what kind of cuisine waits inside — above plain brick and large metal paned windows.

One of the dining rooms in Peter Luger -- plain furnishings except for some whimsical beer steins.

One of the dining rooms in Peter Luger — plain furnishings except for some whimsical beer steins.

Inside, I was immediately reminded of the German beer halls I’ve recently visited, except that here the design is based in the restaurant’s origin, rather than an appeal to a foreign cultural aesthetic. Once you step into Peter Luger you are met with oak floors, a long wooden bar, dark wood paneling and exposed crossbeams bracing white stucco walls. The impression of basic utilitarian necessity, clean but spare reigns supreme — brass chandeliers hang from the ceiling, and plain wooden tables and chairs make up the dining rooms. No tablecloths, no fancy schmancy place settings, no piped in music, and no paintings or posters. The only purely decorative objects were the series of beer steins of different colors and styles that were displayed along the dining room walls.

Even with our late reservation, the bar area was still packed with waiting parties when we arrived, so we milled around waiting to be seated and watched the staff rush from the kitchen to the three dining rooms with plates and plates of outrageously over-portioned food. Clearly this place was expensive, but you get a lot of bang for your buck. Watching the service in action, I couldn’t help but notice that all of the staff seemed to be men in their mid-40s, all dressed in the same suit of plain black pants, white shirts, and aprons, another slightly jarring sign of PL’s old-fashioned approach. Barely ten minutes later the crowds had thinned and our party was called to be seated (in fact, this was an accurate representation of the speed and quality of service — we were in and out of Peter Luger, and left very satisfied, I might add, in a little over an hour).

Sitting down to a table not so far removed from the Ikea dining set I have in my apartment (although PL’s probably has and will endure far longer than mine), we found plain white napkins, plain starter plates, stainless steel silverware and small water glasses. Oh, and a basket piled high with all different types of bread, which our waiter, a gruff but polite and attendant middle-aged man, refilled steadily until our steaks arrived.

 

The Food:

Our bountiful bread basket.

Our bountiful bread basket, with a gravy boat of Peter Luger‘s House Sauce on the right.

Our complimentary bread basket was filled with Parker House-like rolls, slightly charred at the edges, and a onion rolls speckled with salt and garlic and featuring slices of caramelized onion inside. I preferred the onion bread, although both rolls were well salted, chewy and soft. The only improvement would have been adding more onion to the inside of the rolls, to moisten the interior a bit. Alongside the basket were twin gravy boats of PL’s house steak sauce, a tomato-based, tangy condiment that reminded me of a less aggressive cocktail sauce. I tried the house sauce on nearly everything, and found, somewhat surprisingly, it pretty much compliments the menu. Peter’s girlfriend Carol (a pescetarian) even dressed her mixed green salad with it, over the blue cheese dressing she had initially chosen.

The menu at Peter Luger is as laconic as its wait staff — a bit unforgiving in the modern scene of endless options and descriptors (Grass-fed lamb shanks with rosemary clippings, chive blossoms, with a Swiss mint gelee, etc etc). Instead, you’re faced with a remarkably simple set of choices. Choose some appetizers. Choose some sides. You want steak? Choose how many people you want steak for, your options ranging from “Single Steak” to “Steak for Four,” with no elaboration on the preparation, cut, or how it is served (I guess in 1887, the idea of the empowered diner did not exist). Fortunately, most of us had done some level of research beforehand, and Diana had read that the best strategy was to get steak for (n-1), with n = the number of meateaters dining. So for our five carnivores, we would get enough steak for four people. But here’s the catch — there’s a difference between all those Steak for X entrees — what is not stated on the menu is that those are all different cuts of beef. My research had uncovered that PL’s  best cut was their Steak for Two, the Porterhouse, whereas the Steak for Four is a T-bone. We opted for two orders of the famous Steak for Two, five orders of the similarly famous bacon (offered by the single slice, and a must-try according to everyone I talked to), two orders of French Fries for Two, two orders of Onion Rings for Two, and some creamed spinach. Go big or go home, folks.

Bacon worth breaking the rules for.

Bacon worth breaking the rules for.

The bacon was the first to arrive, served as an appetizer. Now those who know me might be wondering why I ordered bacon in the first place. All through my childhood I operated under the premise that my family did not eat bacon in observance of kosher law (never mind our hypocritical love of crab crakes and beer-boiled shrimp), so I avoided any and all pork products I came across. Sometime during college my illusions were shattered when my father ordered a side of bacon at brunch, and since then, while I continue to avoid seeking out pork-based dishes (no carnitas for me), I don’t have a problem ordering a Cobb salad or a chowder with bacon in the broth. It’s hard to say no to a restaurant’s signature dish, however, so I was resigned to try Peter Luger’s bacon and see if it could win over a porcine-averse palate.

Peter Luger offers their bacon in single slice servings, which are doled out onto each plate by the waiter. Bacon-ignorant as I am, I could only guess that Peter Luger’s version is closer to the Canadian Bacon patties I’ve seen in Eggs Benedict than the thin crispy pieces on typical diner breakfast plates. The pink slice was thick, with a dark edge and lighter interior, and dwarfed my small bread-and-butter plate in length (it was probably the length of a standard oval seving dish). I tentatively cut into it, speared a bite, and suddenly understood our collective fascination with bacon.  The meat was simultaneously salty, savory, and unctuous. It was totally addictive, probably due to how how the fat content was — as Diana astutely pointed out, a cross section of the bacon revealed a small pink center bookended by delicious deposits of fat. Of course, the bacon was equally delicious dipped into the House Sauce, the sweet tang of the sauce complementing the sharp, salty meat. I’m not sure I could have had more than the one slice I got (especially considering the bounty of beef to come), but it was well worth breaking my person food rules. In what will become a common refrain in this post — listen to the hoi polloi when it comes to Peter Luger — the popular opinion knows what it’s talking about.

The steak, slightly elevated by smaller plates, mid-service.

The Steak for Two, slightly elevated by smaller plates, mid-service.

Only a few minutes after our somewhat-inappropriate bacon-induced moans of pleasure had subsided, our waiter was back, briskly removing our starter plates and replacing them with full sized dinner plates and a new set of silverware, including intimidating steak knives. Then, the main course service began. It’s a bit of a production, with multiple waiters assaulting the table with large portions of food in a precise, efficient display of well-honed showmanship. Although far from the highly-choreographed synchronized serving in high-end restaurants like Daniel, there is still a level of theatricality to the exodus of steak from the Peter Luger kitchen to each table. When our waiter brought out the bacon, he had inexplicably placed two bread-and-butter plates upside down in the middle of the table. As our steaks arrived their purpose became clear — the platters of meat are placed with one end resting on the butter plate, so the platter tilts, allowing the juices to drain down to the other end, which are then spooned back onto the steak, effectively pan-basting the meat table-side.

 

The hand-served elements of our meal, from left to right: creamed spinach, potato hash, steak.

The hand-served elements of our meal, from left to right: creamed spinach, potato hash, steak.

The porterhouses come pre-sliced, with some meat still left on the bone. Each diner is served a couple steaming pieces of the steak by one waiter, while another spoons out the creamed spinach, and a third serves the potato hash (which we didn’t know came with the steak, another insider tip that probably would have led us to opt out of the fries). The rest of the sides were served on platters, family style, in large heaping mounds. The general consensus was that at Peter Luger, the descriptive phrase “for two” implies two adults roughly equal in size to Shaq.

 

Classic steak fries -- my favorite kind.

Classic steak fries — my favorite kind.

The enormous pile of onion rings -- if a Bloomin Onion and calamari had a baby, it would taste like this.

The enormous pile of onion rings — if a Bloomin’ Onion and calamari had a baby, it would taste like this.

The creamed spinach was definitely heavy on the cream, almost the consistency of a Indian saag dish. My first bite was smooth and flavorful, but the spinach wore on me in the face of all of the fried foods and rich pieces of steak. I much preferred the fries and onion rings (what? it’s not like creamed spinach is really a “healthy choice” here). The fries were my favorite variety — thick cut steak fries, with excellent crisp on the outside and a soft starchy center. The onion rings were by far my favorite side, as evidenced by the hefty amount of damage I unleashed on the plate on my half of the table. I generally find that onion rings suffer from too many potential weaknesses, from the type of breading used to the thickness of the onion slice. But these were like the shoestring fries equivalent of onion rings, as if someone had sliced through a Bloomin’ Onion to the thinnest degree and piled it high. The thin slivers of onion were lightly fried, crunchy and crispy and well-salted to provide a contrast to the meat.

A view of the carnage mid-meal.

A view of the carnage mid-meal.

Speaking of, let’s turn our focus away from the hanger-ons and pan over to the star of the show, the Steak for Two. Even days later, it’s hard for me to articulate how delicious this piece of meat was. As I’ve mentioned before, I’ve become a part-time vegetarian these days, and even before then I’d generally opt for duck or lamb over a steak, but when I bit into the porterhouse at Peter Luger, I suddenly remembered why I’ve never turned in my carnivore card. This was, hands down, legitimately one of the best steaks I’ve ever eaten — it was perfectly medium rare, with a vibrant pink center, and dripping with juice as you cut into it. The first bite released an explosion of earthy, funky beef flavor with great crust on the outside, tender as you chewed, and slowly melting on your tongue to linger as a smooth, naturally umami aftertaste.

 

Bowls of shlag on a nearby table, waiting to be served.

Bowls of shlag on a nearby table, waiting to be served.

Although Serious Eats has named Peter Luger as having one of the best hot fudge sundaes in NYC (slightly dubious since they use Haagen Daz ice cream), we were way too full to test that claim. However, over the course of our entire meal we had seen waiters walk by with heaping bowls of whipped cream (referred to as “schlag”) as topping for the various desserts. As a lifelong whipped cream fanatic (I’ll choose it over frosting any day), I jokingly said we should ask our waiter if we could just get a bowl of schlag for dessert. Peter seized on my idea, and as soon as our waiter appeared to clear the table, Peter asked him if that was possible, literally inquiring as to if they would accommodate us, maybe for a little extra  (like $3 or something). Without a saying a word, our waiter just disappeared back into the kitchen, the doors barely swinging closed before he emerged with a full bowl of shlag exclusively for our table. While the bowl had only one spoon with it, it was served alongside PL’s signature parting gift, a bunch of chocolate coins (it’s Chanukah in August!), which served as excellent vehicles to shove the shlag into our mouths (I did eventually ask for more spoons). The shlag was heavenly — real whipped heavy cream, instead of the pressurized Reddiwhip. It was thick and slightly sweet with a faint vanilla flavoring. I would honestly go back just to get the chance to have more shlag. It was a truly decadent way to end an absurdly indulgent evening.

A bowl of shlag to call our own, with Peter Luger gelt for dipping!

A bowl of shlag to call our own, with Peter Luger gelt for dipping!

Final Thoughts:

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There are countless movies and TV shows featuring an awestruck out-of-towner “discovering” New York, marveling at the tall buildings, boating on the lake in Central Park, and spinning around Times Square, overwhelmed by the glitz and glamour. Unfortunately, it’s hard to live day-to-day in this city and not start to notice the grime coating those bright lights. Between the homeless people, the piles of garbage, and the way the streets smell faintly of urine in the summer — it can be hard to keep the magic of the Big Apple in mind, especially when something just dripped on you and there’s not a cloud in the sky.

But sometimes the City finds a way to rub some more of that metropolitan sparkle into your eyes, finds a way to remind you of the collision of history, cultures, and sheer humanity that makes up New York. The fact that within a week I can eat at both the trendy, multicultural Spice Market and the traditional, fuhgeddaboudit, historic landmark Peter Luger Steakhouse is a testament to the endless possibilities of life in New York. My dinner at Peter Luger was a great wake-up call, a classically New York experience — this is how we do things, and you can like it or leave it. Well, like most of the diners at Peter Luger, I really, really liked it. From porterhouse-pros to those less beef-inclined, everyone should check it out, and at least put those Zagat claims to the test. Get a taste of history, get a bit of a New York attitude purer than that at the Bubba Gump Shrimp Co., and for the love of God, get a bowl of shlag. Trust me — I’m from around here.

 

Peter Luger Steakhouse

178 Broadway (at Driggs Ave)

peterluger.com

Brunch at Good Enough to Eat: It’s all About the Biscuits, Baby

I like to think of myself as a fairly tolerant, openminded person, but there are two types of people in this world that I believe I fundamentally cannot get along with: people who hate dessert, and people who hate bread. I’m just not sure what common ground we could find. Obviously we’ve heard a fair amount about my love of dessert — today, let’s focus on the other vice.

There are restaurants I frequent purely because of the bread they offer, from megachains to haute cuisine. One of the best parts about going to Outback Steakhouse (Bloomin’ Onion aside) is the endless supply of their Questionably Authentic Aussie Brownbread. The breadbowl at Panera is equally legendary, as is the Rustic Flatbread of Cosi, and the buttermilk biscuits at Cracker Barrel.  Not to mention the complimentary bread baskets like those I encountered at Dr. Shakshuka in Jaffa, or the cornucopia of white, multigrain, and raisin nut rolls offered at restaurants like Daniel or Toqueville, where you may pick as many as your carb-loving heart desires.

An embarrassing personal story to further illustrate: the summer after my freshman year of college, I was lucky enough to be able to go to the Cannes Film Festival through Penn’s Cinema Studies program. Although we had access badges for the festival, they were very limited, which meant that the only way to see the top-bill movies was to wait on line, sometimes for hours, for any extra available seats. And so what did this fresh-faced, first time in France ingenue choose for sustenance during the long, hot hours of hope and disappointment? Why, entire loaves of raisin bread, of course. Much like my deplorably slow learning curve with Starbucks hot chocolate, it took me way to long to fully consider the ramifications of consuming entire boules daily.

While I’m slightly more realistic these days about the amount of bread I should be putting in my body each day, my fervor is far from diminished. And so after months of Jacob regaling me with tales of the buttermilk biscuits (and generally high caliber brunch) at Good Enough to Eat, we finally found a Saturday morning to make the trip to the Upper West Side, and try them out.


First Impressions:

Good Enough to Eat's cozy, laid back charm.

Good Enough to Eat‘s cozy, laid back charm is obvious from your first glimpse.

Good Enough to Eat is another one of those New York food scene staples. The restaurant was established in 1981, a fact they rightly take great pride in, considering the ephemeral nature of restaurants in Manhattan. GETE’s enduring popularity was clear to see when I arrived on Saturday morning. The restaurant opens at 9am, outrageously early by NY brunch standards, but even by the time I got there at 9:30, there was already a line waiting outside. Yes, the weather was especially nice this weekend, but the majority of the brunching populace was unlikely to be out and about for at least another hour and a half.

The line greeted me bright and early on Saturday morning.

The line greeted me bright and early on Saturday morning.

GETE’s whole aesthetic evokes a folksy New England small town cafe, from their maroon awnings with white trim to the literal picket fence that borders their outdoor seating. The fence actually appears again once inside GETE, where is separates the bar from the dining area. Inside, the walls are exposed brick, covered with knick knacks and odds and ends, most of which involve depictions of cows. Even the bathroom has a collection of hand-drawn cows sent in by children. Some of the quirkier decorations include a random muffin tin high on the wall, Good Enough to Eat -branded clothing (another testament to its popularity), and fake potted plants. The place is small, with probably only ten tables inside and another six outside, and there is a general bustling air of charming unpretentiousness, from service to plating to the menu itself. There’s a full bar, as well as a classic diner-style case full of homemade baked goods, from muffins (clearly they have other tins available) to a variety of pies.

The indoor section of the picket fence is just visible at the bottom center.

The indoor section of the picket fence is just visible at the bottom center.

The pie case next to the full bar.

The pie case next to the full bar.

Looking towards the back of the restaurant. Note the muffin tin on the right hand wall.

Looking towards the back of the restaurant. Note the muffin tin on the right hand wall.

Unfortunately, there is a downside to this casual attitude in the way that incoming customers are handled. The staff is very nice, but GETE does not take reservations for brunch, nor do they take your name up front. Instead, everyone gets in line outside of the restaurant, and the hostess comes by to find out how many people are in your party, then seats available tables depending on size. With this system, it is perfectly possible that a group of four arriving after a group of two could be seated first (as actually happened to us). Jacob and I ended up waiting about 30 minutes for our table, so I can only imagine what the wait would be like around noon.

 

The Food:

Eventually we were seated, and once we sat down the service was prompt, but never to the point of ushering us out the door (we had time to eat and linger for a bit afterwards). As it was Cuatro de Mayo, there were a number of Latin-themed brunch specials, but I opted out because they came with tortillas instead of biscuits, and I had my eye on the prize. I think this ultimately tempered my enthusiasm, however, as in my heart of hearts I was really in the mood for Huevos Rancheros or something similar.

On the weekends, GETE only serves breakfast and dinner menus, so even later-arriving brunchers should expect maple syrup over mayo as the condiment of choice. There are a number of options within this sphere of brunchfluence, luckily, so diners can pick from several different types of pancakes, waffles, and egg dishes, and GETE even offers a tofu scramble for vegans. I ended up ordering the “Little Italy Omelet,” while Jacob picked the Turkey Hash. After our half hour wait just to get it, I was pleasantly surprised by how quickly our meal arrived.

The "Little Italy Omelet" -- well executed, but nothing spectacular.

The “Little Italy Omelet” — well executed, but nothing spectacular.

The omelet was filled with roasted mushrooms, sundried tomatoes, and mozzarella cheese, and came with biscuits and strawberry butter, of course. GETE cooks their eggs loose, which they do mention on their menu, but I neglected to notice this until after I had ordered, so the omelet was a little underdone for my tastes. It was still cooked well, and there was a good proportion of eggs to filling. The roasted mushrooms and tomatoes dominated the dish, especially the tomatoes which definitely tasted of being packed in olive oil. I found the eggs a little underseasoned, but still it was a solid omelet that was the right size to leave me full without being too heavy.

Jacob's "Turkey Hash" -- a pile of breakfast.

Jacob’s “Turkey Hash” — a pile of breakfast.

I thought Jacob’s dish was a bit more successful. The Turkey Hash is made up of roast turkey, potatoes, red bell peppers, carrots, celery, and two poached eggs, and comes with the aforementioned biscuits and strawberry butter. At least on Saturday I had a serious need for potatoes in my breakfast, because I went after the ones in Jacob’s dish when he offered a taste. It was a sizable dish, and I probably wouldn’t even need the turkey to be satisfied by it, although I was impressed that there was actually chunks of roast turkey, rather than slices of cold-cut. The dish was really elevated when Jacob broke open the poached eggs, and the rich, buttery yolk soaked into the hash. The turkey and vegetables were fork tender and far from dry, but you really can’t argue with throwing another layer of cholesterol on the pile.

But the best part of my brunch by far were the biscuits and butter. Although they had been built up quite a bit, I did not think they were oversold. The strawberry butter was soft and fresh, and had small slivers of actual fruit in it, muddled in like a beautiful butter cocktail. It’s hard to recall, given the sangria-induced stupor of my brunch at Calle Ocho, but I think Good Enough to Eat trumps it in terms of purity of strawberry flavor. The biscuits were small, about the size of those store brand square Parker House rolls my mom used to put out for dinner (those rolls were sick — can you still buy them?). The biscuits split apart easily, the middle soft and just a touch flaky, but far from the commercial endless layers of Pillsbury Grands. They arrived on the plate slightly warm. I don’t think they were fresh from the oven, but in terms of texture they were still tender and moist, and buttery in a real, goddamn there’s a bunch of butter in this way, almost creamy when mixed with the strawberry butter.

Just two biscuits was not enough, and I think if I could do it again, i would just accept the fact that I’m a bread fiend and get one of the other, more exotic brunch dishes (like the Apple Pancake, the Pumpkin French Toast, or the standard menu item of the Migas: scrambled eggs with tortillas chips, bell pepper, cilantro, onion and cheese) and just shamelessly order myself a side of biscuits as well.

 

Final Thoughts:

Overall, my brunch at Good Enough to Eat was solid, if not awe-inspiring, but in retrospect a lot of the disappointments probably came from not listening to myself. The lesson here is trust your gut when you’re about to fill it, folks. Good Enough to Eat is a cheap enough Manhattan brunch for you to indulge in a side of biscuits if it’s mandatory like it was for me. I’d recommend trying it out, if mostly to have the experience of dining at a NY institution — not too many places in New York make it into their fourth decade. The prices are reasonable, the atmosphere friendly and homey, and the biscuits are worth the trip uptown. Since Good Enough to Eat takes reservations for dinner, and offers both the biscuits and some of the more popular brunch dishes (like the Migas and the Gramercy Omelet) on their dinner menu, I think I’ll avoid the wait next time and go in the evening. That way I can hit all my weaknesses and indulge in dessert as well. Because if their biscuits are any indication, in the category of baked goods, Good Enough to Eat very much lives up to its name.

 

Good Enough to Eat

483 Amsterdam Ave (at 83rd St)

http://goodenoughtoeat.com/