Birthday Humble Tart: Dinner at Narcissa

The entrance to Narcissa, tucked back behind the hotel's more casual restaurant.

The entrance to Narcissa, tucked back behind the hotel’s more casual restaurant.

 

I’ll hit a month at my new job this week, and one of the biggest lessons so far has been how little I actually know about food. I suppose it’s all relative (aren’t most things in life?), since I probably know far more about the ins and outs of animation than my new coworkers. But here I am, very much an amateur enthusiast, surrounded by people who have worked in kitchens and front of the house, who can list grape varietals like the names of their nieces and nephews, and could discern a julienne from a brunoise simply by touch. It can be a little intimidating at times, but I generally try to operate with an awareness of my own ignorance. I’d rather be surprised and delighted by something new, rather than rely on incomplete information to make decisions that may prevent discovery.

 

This all came to mind when thinking back on my recent birthday dinner at Narcissa, a popular farm-to-table restaurant in the Standard East Hotel. When I mentioned to my brother where I would be dining, he said “oh, I guess California cuisine is your favorite, then?” I hemmed and hawed (I hate picking favorites), trying to qualify what appealed to me about Narcissa’s menu (the emphasis on vegetables, the seasonal quality, the unconventional flavor combinations), claiming that it was somehow totally different from the delightful birthday dinner I had at Barbuto last year. But what I really should have said was “maybe.” The truth is I didn’t know the definition of California cuisine (here’s what Wikipedia has to say), and even with a bit of Googling I wouldn’t put all my favorite eggs in that particular basket.

 

Eh, enough dithering about known unknowns (ain’t that a timely idiom?). Regardless of categorization, I had another fabulous birthday dinner with my parents. Narcissa is certainly a buzzed-about restaurant in NYC right now, and it was lovely to have it live up to, and then exceed the hype.

 

First Impressions:

 

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A view into the open kitchen at Narcissa.

As I mentioned above, Narcissa is located in the Standard East Hotel, which reopened last year after extensive renovations. The entrance to Narcissa is tucked back behind the more casual restaurant, Cafe Standard, which has sidewalk seating. Narcissa has outdoor seating as well, but it’s made up of a small patio behind the dining room, creating a little oasis from the bustle of the city. I imagine it’d be lovely to sit out there in the sunshine (especially now that the restaurant is serving brunch).

 

The unexpectedly angular dining room at Narcissa.

The unexpectedly angular dining room at Narcissa.

Once you make your way past Cafe Standard, you’re greeted with a doorway surrounded by greenery and topped with a placard that reads Narcissa on a background of rolling farmland. The restaurant sources many of its ingredients from the farm Locusts on Hudson, where the eponymous cow Narcissa lives. Step inside and you’ll find a large open kitchen immediately to your left, maybe half of the size of the whole dining room. I beat both of my parents to the restaurant, and enjoyed watching the cooking and prep in action. To the right is the bar and dining room, decked out in soft white, golds, light woods, and blue-and-yellow striped banquettes. There seemed to be a prevalence of diagonals, from the square space of the room distorted by acutely angled windows, to our table which was not round, but actually octagonal. This lends a modern air to the casual elegance of the decor, which otherwise is kind of rustic chic — wooden/wicker chairs, no tablecloths. The bar area is sizable in itself, taking up about a third of the dining room space, staffed by at least two bartenders at a time to handle the orders of the dozen seats at the bar, collection of tables nearby, and the customers in the dining room.

 

The staff was friendly and charming from the get-go, offering plenty of advice on cocktails, and ever ready with refilling our (perplexingly tiny) water glasses or fetching us more bread. Throughout the meal our waiter explained each dish to us, even identifying components when we were confused, and even snuck us a few extra treats by the end. My mom was intrigued by the Buttermilk Ice Cream included in the Summer Sundae, but we passed on ordering it, so our waiter brought a tiny sample of it with dessert, alongside the Sundae’s pineapple sorbet. This, combined with the speedy, yet never pushy, service (we were out of there within 2 hours), helped to set a festive and exploratory mood. Plus, I always get a little bit of a kick out of dining at places where they refold your napkin for you — it’s the type of silly decadence that makes eating out an “experience.”

 

 

The Food:
After doing my requisite research and soliciting suggestions from a coworker, I came to my dinner at Narcissa armed with a post-it note crammed with dishes. The bad news is that, as a restaurant focused on seasonal ingredients, many of those items hadn’t made the transition from the Winter to the Summer menu. The good news is the ones that really mattered did, and with a little deliberation and negotiation, my parents and I settled on a repast covering a whole host of both highlighted dishes and unknowns. We decided to start with the Rotisserie-Crisped Beets, the Crab Salad, and the Potato Gnocchi, then I ordered the Lacquered Duck Breast, my mother got the Maine Scallops, and my father chose the Steamed Black Bass, along with a side of Supergreen Spinach for us all to share. Dessert (aside from our ice cream/sorbet sampler) was the Bittersweet Chocolate Tart and the Apricot Tart Tatin.

 

Complimentary bread served as a boule already sliced into quarters. Fresh butter that is barely needed on the fresh herbed sourdough.

Complimentary bread served as a boule already sliced into quarters. Fresh butter that is barely needed on the fresh herbed sourdough.

Our dinner began with a small boule of complimentary herbed sourdough bread, sprinkled with rosemary and served with a side of soft butter. The bread was crusty and crackly on the outside, with a whole wheat interior that was airy and chewy. I was more than happy to eat a piece on its own, though I have no complaints about the creamy fresh butter accompanying it. The bread was also exactly the right type of solid dough to sop up the remaining sauce from the gnocchi after we’d torn through the appetizer’s contents.

 

 

Potato Gnocchi -- delicate bundles of starch just begging to be popped one by one.

Potato Gnocchi — delicate bundles of starch tucked underneath shaved parmesan.

Speaking of, the Potato Gnocchi (fava beans, ramps, parmesan) was a solid, straightforward dish, perfectly fine but paling in comparison with our other hors d’oeuvre. The individual pieces of pasta were excellent — delicate little pillows of potato that managed to be chewy without being gummy — and I felt these were the best component. The rest of the pieces were certainly fresh, with the whole fava beans adding a summery brightness, but the broth and the cheese proved a bit too salty for me, and brought down the overall impact of the combination.

 

 

The Crab Salad -- a case for the value of hearts of palm.

The Crab Salad — a case for the value of hearts of palm.

If I hadn’t been told to try the Crab Salad (blood orange, hearts of palm, hazelnuts), I probably would have made the mistake of passing it by on the menu, simply because up until this point in my life, I’ve never met a heart of palm I liked. Now thanks to Narcissa, I think I might give them another go. This is a salad in the sense of chicken or tuna salad — hunks of shredded dungeness crab meat stuffed into a petite pot with an overhanging lip, mixed with sliced hearts of palm, pieces of chopped blood orange and hazelnuts, and plenty of sliced basil and parsley on top. The crunch of the nuts and the hearts of palm paired well with the softer textures of the crab and blood orange, and the addition of citrus acidity is always great with seafood. This dish was not a flavor bomb by any means, more about the combination of the ingredients than a hearty slap of crabmeat. My mother was underwhelmed by it, but I thought it was a light dish with a combination of acid, herbs and briny seafood flavors to wake up my palate before the heavier entrees.

 

 

Forget Boston Market's chicken, Narcissa's Rotisserie Beets prove rotated roasting is hardcore delicious.

Forget Boston Market’s chicken, Narcissa‘s Rotisserie Beets prove rotated roasting is hardcore delicious.

Although I enjoyed the Crab Salad, the Rotisserie-Crisped Beets (bulgur salad, apples, creamed horseradish) were one of the best things I’ve eaten in a long time. This is one of the dishes that has gotten a tremendous amount of buzz, so I went in with fairly high expectations, only to have them blown to bits by the real McCoy. Now I should be up front and offer a disclaimer: because I’m an old lady at heart, I’m really into beets. Like eggplant level of love for them. So if you’re not a beet fan, you might not have the revelatory experience that I did, but I would be shocked if you still didn’t enjoy the crap out of this appetizer. As the name implies, this dish shows off the rotisserie oven that Narcissa is known for, with the beets roasted to a blackened crisp on the outside. From the photo you might think they’re crusted with something, but it’s actually just the charred exterior, creating a crunchy shell that holds a supple, deep violet beet flesh inside. Not surprisingly, the flesh is super-giving, your fork gliding through it. The bulger, apples and herbs add some bulk to the dish, all of which is served on a pool of creamed horseradish sauce. Once again, I found myself face-to-face with an ingredient I largely avoid. Horseradish means one thing to me — maror (bitter herbs) at Passover, where it’s sandwiched between two pieces of matzoh in an obligatory ritual I’d otherwise opt out of. But here the bite of the horseradish was softened by the cream, retaining enough power to counter the sweetness of the caramelized beets and raw apples chunks. Overall, it was a great showcase of the skill of the kitchen — taking something as mundane as beets and elevating it through basic techniques. This is actually a perfect example of what I love about the recent turn towards giving vegetables their due — maybe it’s because I’m becoming a lame-o adult who actually loves eating well-prepared veggies, but I think people in general would change their minds about brussels sprouts or beets if given the opportunity to have dishes like this one (or simply being exposed to better cooking options than just the pile of steamed vegetables sitting on your plate at Outback).

 

 

The Maine Scallops with somewhat muted lobster butter.

The Maine Scallops with somewhat muted lobster butter.

There was only a little bit of downtime before our entrees arrived. I had been tempted by both of my parents’ choices, since the dish I had eyed from all the reviews, the lamb loin, had not made it onto the summer menu. So once I had that out of the way, I zeroed-in on the Maine Scallops (asparagus, green garlic, potato puree, lobster butter), but that was my mother’s top pick, so I went with my other menu kryptonite, the duck breast. Her dish came with four sizable scallops, seared to an exquisite golden-brown on top, but still a pale off-white on the sides and interior. They were melt-in-your-mouth smooth, not really seasoned beyond basic salt and pepper. The lobster butter, which my mother had been especially excited about, seemed to be located in the sauce underneath, and had a surprisingly subtle flavor. I had expected it to be more like a bisque with a real lobster tang to it, but I can understand the restraint given the delicacy of scallops — you don’t want a taste as recognizable as lobster to overpower the main component of a dish. This entree seemed to be the most classically executed and plated dish, so the vegetables were straightforward but well-cooked, with shaved slivers of asparagus and a silky potato puree, and greens that the menu lists as green garlic, but I thought looked like fiddlehead ferns. Then again, what do I know, I’ve never actually tasted fiddleheads, so I couldn’t discern a difference based on flavor.

 

 

Our side of Supergreen Spinach, which cannot be accused of false marketing.

Our side of Supergreen Spinach, which cannot be accused of false marketing.

We also shared a side order of the Supergreen Spinach (potato chips). You can’t see it in this picture, but the dish totally lives up to its name — we’re talking Incredible Hulk bright green. The potato chip topping was a cute play on the common steakhouse sides, and I definitely enjoyed it, but I think it wasn’t particularly memorable outside of its gamma-irradiated hue. Just solid creamed spinach, and nowhere near as innovative a use of potato chips as the incorporation into the Cod Brandade at Picholine.

 

 

The Steamed Black Bass -- so good it inspire musical theater references.

The Steamed Black Bass — so good it inspires musical theater references.

My father’s Steamed Black Bass (french curry broth, eggplant, toasted almonds) also looked great to me because of the accompanying items (as I believe Julie Andrews sang, curry, eggplant and almonds are a few of my favorite things). I thought the plating of the dish was just gorgeous, with the fillets sitting firmly atop the little hill of vegetables, just slightly bowing to show how soft the flesh was. You don’t think of steaming as a particularly exciting cooking method, but here it prevented the skin from becoming too soggy while the fish meat was easy to flake away with your fork. Unlike the scallops, I thought the sauce defined the taste of the dish. The curry had a strong flavor without real heat to it, and the fish and eggplant pieces soaked it up easily. The toasted almonds mirrored the nuttiness of the curry, and gave a nice crunch to an otherwise pretty soft dish. I think I would have been plenty satisfied if I had ordered this dish, but having now tasted the duck, I’m going to struggle to try other entrees if I return to Narcissa.

 

 

The Lacquered Duck, a dish now in my lifetime hall of fame.

The Lacquered Duck, a dish now in my lifetime hall of fame.

The Lacquered Duck Breast (parsley root, melted leeks, rhubarb) was hands-down my favorite dish of the night, and no joke, I’ve been actually thought about this dish several times in the weeks since my birthday dinner. I adore duck, and this might truly be the best duck I’ve ever eaten. First things first, it was a massive duck breast — this duck had Double D’s, and was clearly very well fed. The “lacquered” crust (which Google tells me just means a sweet glaze that lends itself to caramelization and the appearance of a lacquer-like sheen) was shiny and gave the skin a crunchy, crackly texture, and its sweetness enhanced the gamey flavor of the duck meat underneath. There was a much appreciated hint of tartness from the rhurbarb, which was echoed by the acidity of the melted leeks, which were almost like a puree in texture. I’m not sure how great my breath smelled after finishing the leeks, but I thought they served a similar purpose to the horseradish sauce in our beet appetizer — the bite of the ingredient softened by its preparation. Cutting into the breast revealed a cross section of medium rare and bloody meat topped by a full layer of fat sitting just below the crust. I felt like I do when there’s a bit of fat on steak, and I tell myself I should just cut it off and avoid it. But what can you do when it’s an integral part of the duck breast makeup? So I demolished it. The dish also came with what I thought were parsnips, but now realize was actually parsley root, which looks similar but is less sweet, again a very interesting and intelligent strategy when paired with the delicious but sugary glaze on the breast. This dish was relatively simple in its components, but really unlike any preparation of duck I’ve had before, and I can’t get over how addictive the combination of the duck meat and that glaze was. I would seriously go back to Narcissa for the beets and the duck alone.

 

 

The Apricot Tart Tatin, visually stunning but too sweet for my taste.

The Apricot Tart Tatin, visually stunning but too sweet for my taste.

The desserts certainly didn’t lower the overall level of the meal, but they were just more pedestrian compared to the earlier standout dishes. I think my dad was a big fan of the Apricot Tart Tatin (goat milk ice cream, pepper caramel), but I ultimately found the dessert cloyingly sweet. I enjoy the traditional apple tart tatin, and I do like apricot and apricot-flavored things generally, but here the apricots were almost like ovals of marmalade in their consistency, completely cooked down and syrupy. The best part of the dish was the pepper caramel, which I’d vouch is superior to salted caramel. Rather than enhancing the sweetness through salt, I think the pepper provides an interesting contrast that confused my tongue a bit. Not to harp on one point, but it was the same deal as the horseradish sauce and the melted leeks, where a bit of savory flavor made me stop and think for a second about what I was eating, how all the components came together.

 

 

The Bittersweet Chocolate tart, an exercise in tempered sweetness.

The Bittersweet Chocolate tart, an exercise in tempered sweetness.

No surprise that the Bittersweet Chocolate Tart (curry-roasted bananas, espresso ice cream) was a little more up my alley. The outer shell was crisp, looking almost bruleed on top, and inside was a dark chocolate mixture somewhere between a molten lava cake and mousse. The sweetness was tempered in every element of this dessert, from the selection of a darker chocolate base for the tart, to using the bitterness of the espresso to tamp down the gelato’s sugar, to adding curry as a savory element to counter the caramelized bananas. Despite my prior misgivings over espresso gelato at Osteria Morini, I really liked Narcissa’s version, which I felt has less of a burnt tone to it. Add in the Oreo-like cookie crumbles strewn throughout the dish, and I was more than happy to blow out the candle and let this dessert cap off a remarkable birthday dinner.

Final Thoughts:

 

What impressed me most about Narcissa was the deft handling of a variety of preparations, from the more classical techniques and flavor profiles of European cuisines to more unusual takes on American dishes. My parents and I had three radically different entrees and all of them were stunning in their own regard. They really ran the gamut, from the playful and elegant plating, to the provocative pairings of savory and sweet — themes that were echoed in every course of our meal. With a lovely atmosphere, attentive service, interesting cocktails, and a progressive menu of fresh, seasonal farm-to-table food, I would strongly recommend Narcissa to anyone looking for an American restaurant with a global eye. Perhaps that’s even one definition of Californian cuisine?

 

Speaking of, I owe my brother an apology — on Narcissa’s own website, they claim to “marr[y] the clean flavors and impeccably-sourced ingredients of California cuisine with new techniques of roasting, rotisserie and slow-cooking.” So count that as yet another reason to keep my mouth shut and my ears open. Or rather, to stop talking and start eating.

 

Narcissa

21 Cooper Square (between 5th St. and Bowery)

http://www.narcissarestaurant.com/

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When in Rome: “Industry Night” at Osteria Morini

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As a little kid, I always dreamed about being a grownup, and getting to decide exactly what I wanted to spend my money on. From the perspective of a child, it meant getting to buy as many Snickers and Whatchamacalits (a highly underrated candy, IMHO) as I could fit in my purse, seeing eight movies a week, and keeping up with my bimonthly subscriptions to Amazing Spider-Man and Uncanny X-men. Yup, I was a pretty cool kid. The idea of “discretionary income” was an alien concept — all money is discretionary when your parents cover shelter, food and warmth, and your major concerns are pretty much confined to standardized tests and trying not to blow your allowance in one week.

I feel like most of my friends tended to spend what teenage money they had on largely the same type of stuff — slices of pizza, Starbucks lattes, songs from iTunes or videogames, and the occasional splurge on a pair of Converse or concert tickets. I’ve loved watching us all grow up and define our spending priorities — what makes the cut for a twenty-something devoting the majority of her budget to rent and utilities? These days, we all choose different indulgences, and frankly, I think we’re all justified to spend our money as we like. Most of my discretionary income goes towards eating, be it keeping my fridge stocked or hitting all the spots (and more) that appear on this blog. Could I be living on Cup of Noodle or PB&Js and be saving more than I am? Sure, but I’d like to believe that happiness should be a budget priority, too.

So although a certain black-hole of NYC dining expense is part of my standard arithmetic, I will also never turn down a good deal. Especially one of the caliber of “Industry Night” at Osteria Morini, a weekly pasta-themed bargain I took advantage of a couple snow storms back.

Osteria Morini is one of the more casual spots in chef Michael White’s Altamarea Group of high-end Italian restaurants, from sea-food centric Marea to his new steakhouse Costata, to the Midwestern-infused pizzeria Nicoletta. Even resting on the lower end of the affordability-scale, Osteria Morini is generally far from a cheap eat, and so when I heard about their “Industry Night” special, I jumped at the chance to finally try out one of White’s restaurants. The deal, running Monday nights from 9pm till close, discounts almost all of the pasta dishes down to $10 (from usually $20 or more), and offers bottles of Lambrusco for $28. Although you can’t get the pricier lasagna, risotto or polenta dishes, you still end up with about a dozen options of hand-made fresh pasta and stunning accompaniments.

So the Super Friends of Super Eating (aka, Mike, Jacob and I) assembled once more, and headed over to Osteria Morini, pretty damn hungry after waiting until 9pm to have some dinner (seriously, I don’t get how Europeans eat that late regularly).

 

First Impressions:

The warm and comfortable interior of Osteria Morini, complete with exposed brick walls.

The warm and comfortable interior of Osteria Morini, complete with exposed brick walls.

Osteria Morini is located on Lafayette, just half a block away from the Spring Street 6 train stop. The exterior balances on the edge of ostentatious, its name emblazoned on a large sign brightly lit in the winter evening gloom. Yet the interior is immediately recognizable as the understated Italian-American red-sauce joint, full of dark wood, accents of red on the walls and on the place settings and low-lighting that makes the case for intimacy amongst the hum of conversation and clinking of silverware.

 

A few retro postcards to make you miss the Old Country, plus the White House to make you love the New World.

A few retro postcards to make you miss the Old Country, plus the White House to make you love the New World.

A long bar takes up the front half of of the restaurant, starting a few feet from the entrance and running all the way back to the dining room. There are a few small tables wedged into the space across from the bar, an indication of the volume of diners Osteria Morini sees daily. The walls around the bar are covered in photos and framed retro postcards from America and Italy, while the dining room is adorned with home-style touches such as paintings and shelves lined with kitchen accoutrements, from wine glasses to pots and pans. We were seated at a banquet table in the back left corner of the restaurant, providing great views of both the bustling kitchen and the packed tables. Clearly this deal is not really “insider info” anymore (if it ever was).

The view from our table of the rest of the dining room.

The view from our table of the rest of the dining room.

A look back at the kitchen (and secret bread warming drawer).

A look back at the kitchen (and secret bread warming drawer).

The Food:

My first bottle of Lambrusco, and probably my last (though Jacob and Mike liked it).

My first bottle of Lambrusco, and probably my last (though Jacob and Mike liked it).

The game plan, as always, was drinking and overindulging in shared plates. With that in mind, we decided to make the most of Osteria Morini’s “Industry Night” deal, ordering some Lambrusco to start. I had never had Lambrusco, so deferred to Mike who picked a bottle of Fattoria Moretto off the wine list. This was my first sparkling red wine, lightly carbonated with a punch of sweetness at the start and tart acidity at the end. I’m glad I tried it, but I’m not sure I would order it again. I think I prefer my Prosecco and my Chianti in separate glasses.

At the suggestion of our server, we ordered a few starters to supplement our pastas, beginning with the Lamb Crudo Crostini and the Insalata Mista. For the pastas, we ordered the Stracci, the Tagliatelle, and the Spallina. I had just come off of splitting a Salty Pimp that afternoon with my mother (wow, that’s a sentence I’d never thought I’d write), so I opted out of dessert (ostensibly, though bites were had), but Jacob and Mike finished the meal with the Torta de Olio.

 

Excellent bread, but really, no olive oil?

Excellent bread, but really, no olive oil?

Our meal began with a basket of complimentary, thick cut focaccia. The bread was puffy and warm, pulled from a warmer drawer outside the kitchen and sliced just before it was served. You can see in the photo the crackly, salt-speckled crust and pillowy interior, leagues above the generic Italian bread thrown on the table at many restaurants. The only disappointment was that it was served solo — nary a pat of butter nor drop of olive oil in sight. I was perfectly happy to chow down on the bread, and maybe Michael White thinks it stands alone, but I’d like to try it with a bit of olive oil just for the sake of science.

 

The Lamb Crudo -- deceptively filling considering its petite size.

The Lamb Crudo — deceptively filling considering its petite size.

All of our food arrived pretty quickly, our appetizers appearing on the table before we’d even finished the bread. At first I was concerned about the portions of the Lamb Crudo (olive oil, chives), since the plating seemed to heavily favor the crostini over the meat. However, the richness of the tartare proved that the plate was balanced. Normally I’m not particularly into raw foods (see my gradual acclimation to sushi), but I am a big fan of lamb, so it seemed like a risk worth taking. I enjoyed the gaminess of the meat in contrast to the fresh herbs mixed in with it. The lamb was finely ground, giving it a soft, slippery mouthfeel that spread easily on the crostini. Osteria Morini earns more points in the bread box, since the slices were griddled instead of baked, preventing the almost-stale, cracker-like hardness that can come with bruschetta, when the bread just shatters in your mouth and spreads crumbs everywhere. Here the bread was thinly sliced, crunchy but still pliable, and a great vehicle for the crudo. All in all, I’m glad I tried it, although in terms of personal satisfaction, I’m not sure I would get it again. I definitely missed the caramelization and tender chew you get from cooked lamb, but maybe it’s simply a matter of me working my way up to the concept of raw proteins.

 

Our other appetizer was surprising in a different way -- imaginative, light and refreshing.

Our other appetizer was surprising in a different way — imaginative, light and refreshing.

I hate to sound like a broken record already (we haven’t even reached the entrees, Maggie!), but I was nervous about ordering the Insalata Mista (mixed greens salad, apples, seasonal vegetables, Morini vinaigrette) because of disappointing memories of Olive Garden lunches in my youth. Those salads were sad specimens of greenery, limp romaine lettuce topped with stale croutons, flavorless cucumbers, and a handful of grape tomatoes. However, the dish’s description suggested Osteria Morini had more up it’s salad sleeve, and sure enough, the Insalata Mista far exceeded expectations. It was a great mixture of greens — crunchy, chunky romaine intermingled with radicchio, some peppery arugula, and a little frisee. The sweet red apples were thinly sliced and tossed with the pomegranate seeds in between the vegetables, the whole shebang covered with a dressing that coated the salad without weighing it down, just the right mix of acid and sweet. Weird as it might be to say this, it was a memorable appetizer salad, a refreshing and light entryway into the heavier pasta course.

 

The Stracci, crippled by its plating.

The Stracci, crippled by its plating.

Our pasta dishes arrived basically at the same time, so I’ll tackle them in order of increasing favorability. The Stracci (wide ribbon pasta, braised wild mushrooms, rosemary oil) was the least favorite of our choices, although I think I enjoyed it more than Jacob and Mike. Unfortunately, the dish suffered due to its plating — the long pieces of pasta clumped together, like an overpacked container of chow fun noodles. Instead of distinct pieces of wide ribbon, you ended up getting small stacks of layered, slightly gluey pasta. It was clearly fresh and hand-made, but the delicacy of that craftsmanship was lost when piled in a small bowl, which made it difficult to get a bite that had all of the components of the dish in it, and led to the pasta generally overwhelming the rest of the ingredients. However, when tasted separately, the mushrooms were great, and pairing them with rosemary is always a dynamite combination. I especially appreciated the light sauce, considering the weight of the pasta, and the parmesan on top was deftly applied, although again it was hard to mix it into the bulk of the dish because of the mass of starchy noodles. It seems like simply plating the Stracci in a longer or more oval dish would make it far more successful, since the simple ingredient list seems geared to have the pasta shine.

 

The Tagliatelle -- Michael White's version of mama's bolognese.

The Tagliatelle — Michael White’s version of mama’s bolognese.

The Tagliatelle (ragù antica, parmigiano) had been highlighted in a couple of reviews of Osteria Morini that I read, so I pushed for us to order it. I’d wager this dish best captures the aim of Osteria Morini, at least on the pasta side — classic, homestyle cooking executed with real skill and presented in a pretty, if reserved manner. The Tagliatelle was pretty much an elevated bolognese, a simple but stellar display of familiar flavors. The antica ragu combines veal, pork and beef, crumbled into a classic base of tomatoes, onions, herbs and spices. Here, the wavy strands of pasta were the perfect vehicle, allowing a twirl of the fork to scoop up the chunky sauce into the little crevices between noodles. The fresh cheese on top added a nice salty addition to the meat and harmonized the elements of the dish. It seems obvious to say, but you don’t realize how shockingly refreshing authentic red sauce is until you take a break from the Prego jar. Jarred pasta sauce is so sweet, where as at Osteria Morini the sauce never overwhelms the palate — the natural sweetness of the tomatoes is balanced but their acidity and the floral herbs. It’s visually evident that the Tagliatelle was just a far more balanced plate, since you could see the nearly equal proportions of meat and sauce to noodles.

 

The Spallina -- double the ravioli, double the fun.

The Spallina — double the ravioli, double the fun.

As satisfying as the tasty, but recognizable Tagliatelle was, I enjoyed the Spallina (double ravioli, squacquerone cheese, rabbit, porcini) the most out of our pastas because it took an item  I knew (ravioli) and stuffed it with an unfamiliar filling. Rabbit seems to be increasingly popular on NYC menus these days, but I have only had it a handful of times in my life, so I leapt at the chance to try Osteria Morini’s take. I also felt it was the most visually appealing in terms of presentation. I don’t think I’d ever seen double ravioli before, so I was delighted to find our bowl filled with petite ravioli pillows with a divot in the middle, splitting up the pockets of rabbit, mushroom and squacquerone (a soft, spreadable cow’s milk cheese). The dish seemed to be drizzled in some sort of balsamic reduction, acidic with a hint of sweetness against the umami-forward filling of mushrooms and cheese. The rabbit was subtle, just a hint of gaminess. There just seemed to be a perfect ratio of filling to pasta, allowing both the interior and the exterior of the dish to shine. I would definitely order a bowl of the Spallina for myself over the other dishes — it was new and intriguing, but still somehow instantly familiar and comforting (probably the cheese, cheese makes everything comfy).

 

The Torta di Olio -- an ode to olive oil sure to satisfy fans.

The Torta di Olio — an ode to olive oil sure to satisfy fans.

Now I had every intention of abstaining from dessert, but damn, it’s hard to resist a piece of cake in front of you.  And the Torta di Olio (olive oil cake, citrus marmalade, ricotta crema, espresso gelato) was a pretty sexy looking specimen, a thick slice of golden cake glistening with mouthwatering  sheen. I’ve never really liked olive oil cakes, but Osteria Morini’s version almost made me a convert — it was like a thick slice of pound cake soaked in oil. The taste was clean and instantly recognizable, and while it still hasn’t won me over, this was clearly a well-done version of the dessert. The accompaniments ranged in texture and flavor, from the crunch of the nut crumble to the silky richness of the ricotta crema, to the potent bitterness of espresso gelato, flecked with visible bits of beans. Like the Tagliatelle and the Lamb Crudo, this was a case of a well-executed classic dish incorporating high quality ingredients. All three were satisfying, especially if you’re already a fan of the dishes in most iterations, but I found the more unconventional plates at Osteria Morini to be the most memorable.

 

Final Thoughts:

Overall, it’s hard to argue against the value of a deal like Osteria Morini’s “Industry Night,” and I’d happily come back another Monday to try some of the other pastas and appetizers. From the restaurant’s general atmosphere to the service and the food, everything felt approachable and relaxing, intended to remind the diners of a night out at the neighborhood trattoria. The only complaint I had (which happens at a lot of restaurants when you order a separate beverage) is that the staff could have been more attentive to our water glasses, but I’m an extraordinarily thirsty person, so this might not bother others as much. Basically, if you can splurge, go whole hog and visit Osteria Morini any night of the week — try the risotto and tell me how it is! But if you’re picking and choosing with your grownup indulgences, check out “Industry Night” on Mondays and have yourself a rustic, homey meal that won’t burn a hole in your wallet. That way you can still buy your weight in Snickers bars.

 

Osteria Morini

218 Lafayette St.

http://www.osteriamorini.com/