More is Less: Choice Anxiety at Sembrado

2013-11-16 17.11.57

I’m definitely one of those people at restaurants. The talkers, the incessantly curious, the somewhat (hah) neurotic individuals who need to ask the waiter at least one question before ordering. I try to restrain myself from veering too far into obnoxious territory, but the truth is, my main motivation is curiosity. I may have previously studied the menu online, but when I get to the restaurant, I’d rather know what the staff who have seen the food cooked, and maybe even tasted a dish or two, think. Of course we may not have the same preferences, but the level of the server’s enthusiasm can speak volumes about the overall quality of a dish.

I write about service a lot on Experimental Gastronomy because I think it’s a crucial part of the dining experience. It’s part of the difference between a vending machine or a fast food drive-through and an actual restaurant where you interface with real people. That’s not to say that I expect white napkin service everywhere I go — sometimes a friendly smile from a coffee shop employee is all I need. But the best experiences are those where you feel like you’re in good hands, especially in unfamiliar territory, like our helpful waiter at Tamarind, or the extremely accommodating and generous staff at Barbuto. I bring this up because of a recent meal I had at Sembrado, one of the many new taquerias popping up in the East Village. Sembrado has a lot going for it, from location to the high pedigree of the chefs behind it. Despite all this, I found myself underwhelmed by dinner there, a bit at sea when facing down the menu. The food had a lot of potential, and to be fair, I might have just hit a bad shift. But at the end of our dinner, Jacob and I felt there was something missing, some pep or spark to elevate the meal, the lack of an unspoken element that might just have been a personal touch.

First Impressions:

Nice contrast of masculine mahogany and the groovy mural in the back.

Nice contrast of masculine mahogany and the groovy mural in the back.

Sembrado is a new taqueria from Danny Mena, previously of Hecho en Dumbo (where I once ate a great dinner), and featuring ice cream sundaes from Fany Gerson of summertime favorite La Newyorkina. Tacos seem to be the new hip food trend in the City, with shops popping up seemingly everyday (Tres Carnes, Otto’s, Mission Cantina, Taquitoria, to name just a few). Just a few blocks from Stuy Town, Sembrado has a rustic aesthetic, riding the line between industrial and hipster chic with some deliberately placed decorative flares, seen most clearly in the contrast of the exposed brick walls and back wall mural that seemed to be a psychedelic take on a fractal.

Overall, the space is pretty tight, dominated mostly by the bar/kitchen, the remaining area filled with two and four tops. Jacob and I stopped by after seeing a matinee at the Public Theater, so we came in at an off-time, 5pm on a Saturday afternoon. There were a few people at the bar, but we were the only people dining at that time.

Food:

The dinner menu at Sembrado, reminiscent of AYCE sushi menus.

The dinner menu at Sembrado, reminiscent of AYCE sushi menus.

After seating us and bringing around tap water, our waiter handed us the menus — long pieces of paper lined with boxes for you to mark (how many of each taco you want, if you want cheese added). Our waiter explained that the menu was typical of the items you’d find at any taqueria around Mexico City (slightly gussied up, of course — or at least hopefully so with New York City pricing). That meant traditionally-sized tacos that should be tackled with the strategic ordering of a variety of small plates.

Since we were eating during happy hour, we opted for the slightly discounted guacamole ($2 off dinner price), then started down the list of appetizers, tacos, and other assorted dishes. We ended up with the Tacos Al Pastor, Bistec, Pollo, Hongos, and Pescado del Dia a la Mexicana, along with the Bistec and Nopal Costras. And because through rain, sleet, hail or snow we order ice cream, Jacob and I split one of Ms. Gerson’s El Sundaes to finish out our meal.

The guacamole, with freshly fried chips.

The guacamole, with freshly fried chips.

The guacamole arrived in a small bowl framed by homemade tortilla “chips,” which upon the further arrival of our tacos, were revealed to be the house tortillas fried to a crisp. Because of this, the chips were very fresh, although because they were uncut, I felt the chip-to-dip ratio was uneven, requiring us to eventually ask for a refill. There was a deceptively ample amount of guacamole in the bowl, which I had initially viewed as skimpy for the normal $9 price tag. However, it was one of my favorite parts of our meal (I’m sure partially because I am an avocado fiend). This recipe was smooth, pebbled with tiny chunks of avocado, and though there were no tomatoes in it, it had a strong bite from the onions and cilantro. Jacob and I had a nice moment with our waiter, lamenting those unfortunate souls for whom cilantro tastes disgustingly soapy. When used liberally in a dish like this, cilantro really just brightens all the underlying flavors.

Topping options -- three salsas and a bowl of fresh onions and peppers.

Topping options — three salsas and a bowl of fresh onions and peppers.

In advance of our tacos, our waiter brought out a funky vessel holding four different condiments — three types of salsa and a mix of freshly chopped red onions and peppers. The salsas varied in heat and smokiness. One of them was made with a bit of beer, which lent a subtle malted flavor. My favorite was the really smoky salsa (top right in the photo), which reminded me of barbecue sauce, but Jacob preferred the milder beer-infused one on the bottom left. Unfortunately, this is where the trouble starts. When we were served these condiments, and then our tacos soon after, there was no instruction or suggestion of how to pair the two. Given the myriad combinations given five tacos and four condiments, a poor East Coast Jewish gal like me didn’t even know where to start. I ended up mainly dipping my chips into the salsas, because I didn’t want to ruin my experience by dousing a taco in the wrong sauce.

Our smorgasbord of tacos, clockwise from top left: Pollo, Al Pastor, Hongos, and Bistec.

Our smorgasbord of tacos, clockwise from top left: Pollo, Al Pastor, Hongos, and Bistec.

Because of this, I ate my tacos largely in their natural state, with just a bit of lime juice squeezed on top. For all of the varieties, the consistency of the tortillas was excellent — fresh, pliant and chewy, serving as an stable vehicle without distracting from the fillings. As for those, well, some were more successful than others. My least favorite was the Bistec (all natural flatiron steak), which arrived chopped and fully cooked, flying solo in its tortilla. The meat was a little on the dry side, and while I like steak as much as the next person (perhaps more, considering my ecstasy at Peter Luger), I much preferred the Bistec in Costra form, with the fat and salt of the cheese to contrast with it. The Pollo (all natural free range chicken breast) fared slightly better, the small chunks of meat juicier and flavored with a nice marinade. I would have preferred a little more char on the chicken, but perhaps my dissatisfaction was due to my own neglect of the salsas near me — a little smoky salsa might have elevated the chicken or steak. The Hongos (grilled portobello mushroom with epazote) was also served relatively plain, although the addition of epazote (a Central American herb) gave it another layer of flavor. Of course my love of mushrooms is a given at this point, and portobellos are a top tier variety for me (don’t get me started on Hen of the Woods #mushroomnerd), so it’s not that shocking that of the unadorned tacos, the Hongos would win out.

Pescado del Dia taco -- flying solo, but packing more of a flavor punch.

Pescado del Dia a la Mexicana taco — flying solo, but packing more of a flavor punch.

Both the Taco Al Pastor (spit grilled marinated pork, onions and cilantro) and the Pescado del Dia a la Mexicana (grilled market fish — fluke that day — in a classic Mexican salsa of chile serrano, tomato and onion) had a little more complexity in their preparation, and I thought this made them the best of the bunch. I’ve always avoided ordering tacos al pastor before because I mostly avoid pork, but I’m glad I tried it at Sembrado, since it ended up being my favorite taco. It seemed as though you could taste the long, steady spit-roasting of the meat, which was juicy and had a smoky, almost mole-ish flavor. (Wikipedia research reveals that the rotisserie style of cooking was likely introduced to Mexico by Lebanese immigrants at the turn of the 20th century).  The fluke tasted the freshest of all the tacos, especially when the acidity of the tomatoes and the heat of the jalapenos hit my palate. Again, the addition of toppings here really filled out the profile of the taco, making it more memorable than the plainer steak and chicken.

The Costras, like the mutant child of a quesadilla and a tostada -- Bistec on the left, Nopal on the right.

The Costras, like the mutant child of a quesadilla and a tostada — Bistec on the left, Nopal on the right.

If I’m being honest, I think I prefer the slightly more casual menu at Oaxaca Taqueria. Without a bit of a tour guide on how to experience more authentic Mexican cuisine, I’d rather have the decisions already made for me with established combinations. So at Sembrado, I found myself enjoying the Costras (crisp caramelized cheese atop flour tortilla) more than the tacos. The Costras, which were pretty much open-faced quesadillas, just seemed more fully realized as a dish. Plus, who doesn’t like caramelized cheese? As I mentioned earlier, the Bistec shone a lot brighter in Costra form, its funky umami serving as a nice base for the cheese. But I especially liked the Nopal (grilled cactus pad), an ingredient that I’d seen before on menus but never tried. Like the fish taco, you could taste how fresh the nopales were, and I liked the way the vegetal flavor cut through the richness of the cheese.

We dabbled with getting a few more items, since all of these servings were palm-sized and split between two people, served as a relatively light dinner. No surprise, we quickly tossed aside any notions of further nutrition in favor of diving headfirst into a giant sundae. El Sundae has its own paper menu full of potential add-ons. You select vanilla, strawberry, or horchata ice cream as your base, select your preferred toppings, elect a salsa (Mexican hot fudge or goats milk caramel), choose si or no on whipped cream, and decide if you’ll shell out the extra $3 to make it a brownie sundae. Alas, Sembrado was out of vanilla on our visit, so we ordered the horchata ice cream, topped with Nueces Garapinadas (piloncillo candied pecans) and Chocolate (Mexican chocolate bits), covered in both “salsas”, whipped cream, and heck yeah we’re having the brownies.

The physically imposing El Sundae.

The physically imposing El Sundae.

Well, the sundae we were served was pretty good, but there were a few stumbling blocks. I’ve only had horchata in its traditional form a few times, and found it to be like watered down rice pudding, but as a thick and creamy ice cream, it was a solid substitute for the vanilla, and a not too sweet base for the rest of the sugar-overloaded components. I’ll take whipped cream in any form from udder to pressurized Reddi-Whip can, so I was more than happy to chow down on that. As for our salsas? Well, the hot fudge was nowhere to be found, but the caramel sauce was sweet and syrupy. Much like with my dessert at Blue Duck Tavern, I’m not sure how one discerns goats milk caramel from plain ol’ cows milk, but I really enjoyed Sembrado’s version when combined with the candied pecans. In fact, the nuts and Mexican chocolate bits were very helpful in providing a bit of textural contrast, since much like the hot fudge, our brownies were mysteriously absent. I’m sure my vascular system was relieved to be saved that extra peak of blood sugar, and in the end we weren’t charged for them, but I was a little disappointed to miss out on what could have been a tremendous brownie sundae.

Final Thoughts:

There’s a concept in psychology called “choice anxiety,” which posits that though we think we want as many options as possible, in truth, people quickly get overwhelmed by having to make too many decisions. It’s similar to the Millenial “FOMO,” or “fear of missing out” — presented with a long list of choices, we often just opt out all together. We may think all-encompassing personal agency is the most satisfying route, but what we’re actually looking for is limited power, a dip in a pool just deep enough to let us kick a bit without fear of sinking.

I couldn’t help but think about choice anxiety after my dinner at Sembrado. Overall, it was a good, but not great meal, successful in some elements but a letdown in others. I can’t place all the blame on the service, either. Our waiter was friendly if a little removed from the situation, but I think part of the problem comes from the space Sembrado occupies on the casual/fine dining ladder. It seems to be riding a sort of middle ground — a little too expensive to be the kind of neighborhood taco joint that revels in its oil and fried fat content, but clearly trying to be more casual than the elevated Latin cuisine experiences I’ve had at Hecho en Dumbo or La Esquina. For the relatively uninitiated taco consumer, Sembrado’s menu can be overwhelming, prompting numerous questions — how many tacos should I get? What’s a good combination of tacos? Should I get cheese on some? All? None? I’m not saying Sembrado should abandon their check-off menus in favor of the hegemony of an executive chef’s tasting menu (I actually rather like the paper menus), but they might benefit from the addition of a section outlining some suggested combos. Creating a starting point for your diners gives them somewhere to jump off of, and admits that not everybody may be as in the know about authentic Mexico City tacos. Maybe I’m in the minority for wanting to learn while trying new foods, but for us curious culinary enthusiasts, Sembrado would stand out more if it were willing to teach.

Sembrado

432 E. 13th Street

http://sembradonyc.com/

Advertisements

A New York Steak of Mind: Peter Luger Steakhouse

2013-08-02 21.38.56

Growing up just outside of the City in Westchester County, you would think my childhood was simply brimming with classic New York experiences. And while yes, I was lucky enough to see Broadway shows multiple times a year, chilled with the dinos at the Natural History Museum like it was my part-time job, and rode the Circle Line with my 3rd grade class, I missed out on many “typical” New York activities because they seemed cliche, touristy, and lame to a blase teenaged local. Even now, having come back to actually live in Manhattan post-college, there are still certain items left unchecked on my city to-do list, simply because of the way they make the native New Yorker hairs on the back of my neck rise (we’re not going to even engage in the from the city/from the suburbs who’s a native debate here — I’m at least a New York Stater by birth).

One of the crucial things you learn as you grow up, however, is that sometimes doing the “lame” or “touristy” thing is worthwhile. For every double-decker-open-air bus tour of Chinatown, there’s a mainstream experience that is popular because it’s actually pretty effing fantastic. Sometimes the hype is actually not hype at all, but merely an abundance of exuberance that should be heeded. And thankfully, there are still a few long-time New York institutions like Peter Luger Steakhouse to slap some starry-eyed sense into this skeptical New Yorker. Nothing like a healthy dose of history (and cholesterol-raising meat) to give a jaded girl a little bit of wonder.

I’ve talked about New York dining institutions before, but Peter Luger is in a different category. The restaurant was established not in the 21st nor 20th centuries, but way back in 1887 in then-predominantly-German neighborhood of Williamsburg (to this day mere blocks from the Williamsburg Bridge). It has been awarded one Michelin Star, was named to the James Beard Foundation’s list of “American Classics,” and was named the best steakhouse in New York by Zagat 28 years in a row (a fact they proudly showcase by lining a wall with the annual award plaques). It is the kind of place that is so popular, they can operate on a cash-only policy. Let me repeat that — a cash only policy. At a steakhouse. Well, to be honest they do honor one credit card — the Peter Luger Card. When I first heard about this, I was pretty skeptical. It sounded absurd, overblown, the kind of place that preys on poor schmucks who go to New York and think that they’re having a real authentic slice of pizza at a random “Original Ray’s.” But even before I knew of all the history and accolades, I had been told by multiple sources over and over that Peter Luger was a must-visit, a unique and extraordinary experience if you liked steak at all. So I tried to stay open-minded, paid a visit to an ATM, and made my way with a group of friends to Williamsburg last Friday night.

 

First Impressions:

The unobtrusive, classic brick facade of Peter Luger Steakhouse.

The unobtrusive, classic brick facade of Peter Luger Steakhouse, a legend looming large on the corner.

 

Because of its enduring popularity, my friend Peter was only able to score a reservation for 6 at 9:45pm, presumably the last seating of the night. Consequently, everything around Peter Luger was closed, and lent the restaurant a sort of “shining beacon” quality (this might have also been due to my intense hunger — I operate more on the early-bird special schedule than the Continental late night dining scene). Peter Luger sits squarely on the corner of its block, the decor traditional and old-fashioned both outside and in. Outside the worn dark wooden signage announces just “Peter Luger” — no mention of what kind of cuisine waits inside — above plain brick and large metal paned windows.

One of the dining rooms in Peter Luger -- plain furnishings except for some whimsical beer steins.

One of the dining rooms in Peter Luger — plain furnishings except for some whimsical beer steins.

Inside, I was immediately reminded of the German beer halls I’ve recently visited, except that here the design is based in the restaurant’s origin, rather than an appeal to a foreign cultural aesthetic. Once you step into Peter Luger you are met with oak floors, a long wooden bar, dark wood paneling and exposed crossbeams bracing white stucco walls. The impression of basic utilitarian necessity, clean but spare reigns supreme — brass chandeliers hang from the ceiling, and plain wooden tables and chairs make up the dining rooms. No tablecloths, no fancy schmancy place settings, no piped in music, and no paintings or posters. The only purely decorative objects were the series of beer steins of different colors and styles that were displayed along the dining room walls.

Even with our late reservation, the bar area was still packed with waiting parties when we arrived, so we milled around waiting to be seated and watched the staff rush from the kitchen to the three dining rooms with plates and plates of outrageously over-portioned food. Clearly this place was expensive, but you get a lot of bang for your buck. Watching the service in action, I couldn’t help but notice that all of the staff seemed to be men in their mid-40s, all dressed in the same suit of plain black pants, white shirts, and aprons, another slightly jarring sign of PL’s old-fashioned approach. Barely ten minutes later the crowds had thinned and our party was called to be seated (in fact, this was an accurate representation of the speed and quality of service — we were in and out of Peter Luger, and left very satisfied, I might add, in a little over an hour).

Sitting down to a table not so far removed from the Ikea dining set I have in my apartment (although PL’s probably has and will endure far longer than mine), we found plain white napkins, plain starter plates, stainless steel silverware and small water glasses. Oh, and a basket piled high with all different types of bread, which our waiter, a gruff but polite and attendant middle-aged man, refilled steadily until our steaks arrived.

 

The Food:

Our bountiful bread basket.

Our bountiful bread basket, with a gravy boat of Peter Luger‘s House Sauce on the right.

Our complimentary bread basket was filled with Parker House-like rolls, slightly charred at the edges, and a onion rolls speckled with salt and garlic and featuring slices of caramelized onion inside. I preferred the onion bread, although both rolls were well salted, chewy and soft. The only improvement would have been adding more onion to the inside of the rolls, to moisten the interior a bit. Alongside the basket were twin gravy boats of PL’s house steak sauce, a tomato-based, tangy condiment that reminded me of a less aggressive cocktail sauce. I tried the house sauce on nearly everything, and found, somewhat surprisingly, it pretty much compliments the menu. Peter’s girlfriend Carol (a pescetarian) even dressed her mixed green salad with it, over the blue cheese dressing she had initially chosen.

The menu at Peter Luger is as laconic as its wait staff — a bit unforgiving in the modern scene of endless options and descriptors (Grass-fed lamb shanks with rosemary clippings, chive blossoms, with a Swiss mint gelee, etc etc). Instead, you’re faced with a remarkably simple set of choices. Choose some appetizers. Choose some sides. You want steak? Choose how many people you want steak for, your options ranging from “Single Steak” to “Steak for Four,” with no elaboration on the preparation, cut, or how it is served (I guess in 1887, the idea of the empowered diner did not exist). Fortunately, most of us had done some level of research beforehand, and Diana had read that the best strategy was to get steak for (n-1), with n = the number of meateaters dining. So for our five carnivores, we would get enough steak for four people. But here’s the catch — there’s a difference between all those Steak for X entrees — what is not stated on the menu is that those are all different cuts of beef. My research had uncovered that PL’s  best cut was their Steak for Two, the Porterhouse, whereas the Steak for Four is a T-bone. We opted for two orders of the famous Steak for Two, five orders of the similarly famous bacon (offered by the single slice, and a must-try according to everyone I talked to), two orders of French Fries for Two, two orders of Onion Rings for Two, and some creamed spinach. Go big or go home, folks.

Bacon worth breaking the rules for.

Bacon worth breaking the rules for.

The bacon was the first to arrive, served as an appetizer. Now those who know me might be wondering why I ordered bacon in the first place. All through my childhood I operated under the premise that my family did not eat bacon in observance of kosher law (never mind our hypocritical love of crab crakes and beer-boiled shrimp), so I avoided any and all pork products I came across. Sometime during college my illusions were shattered when my father ordered a side of bacon at brunch, and since then, while I continue to avoid seeking out pork-based dishes (no carnitas for me), I don’t have a problem ordering a Cobb salad or a chowder with bacon in the broth. It’s hard to say no to a restaurant’s signature dish, however, so I was resigned to try Peter Luger’s bacon and see if it could win over a porcine-averse palate.

Peter Luger offers their bacon in single slice servings, which are doled out onto each plate by the waiter. Bacon-ignorant as I am, I could only guess that Peter Luger’s version is closer to the Canadian Bacon patties I’ve seen in Eggs Benedict than the thin crispy pieces on typical diner breakfast plates. The pink slice was thick, with a dark edge and lighter interior, and dwarfed my small bread-and-butter plate in length (it was probably the length of a standard oval seving dish). I tentatively cut into it, speared a bite, and suddenly understood our collective fascination with bacon.  The meat was simultaneously salty, savory, and unctuous. It was totally addictive, probably due to how how the fat content was — as Diana astutely pointed out, a cross section of the bacon revealed a small pink center bookended by delicious deposits of fat. Of course, the bacon was equally delicious dipped into the House Sauce, the sweet tang of the sauce complementing the sharp, salty meat. I’m not sure I could have had more than the one slice I got (especially considering the bounty of beef to come), but it was well worth breaking my person food rules. In what will become a common refrain in this post — listen to the hoi polloi when it comes to Peter Luger — the popular opinion knows what it’s talking about.

The steak, slightly elevated by smaller plates, mid-service.

The Steak for Two, slightly elevated by smaller plates, mid-service.

Only a few minutes after our somewhat-inappropriate bacon-induced moans of pleasure had subsided, our waiter was back, briskly removing our starter plates and replacing them with full sized dinner plates and a new set of silverware, including intimidating steak knives. Then, the main course service began. It’s a bit of a production, with multiple waiters assaulting the table with large portions of food in a precise, efficient display of well-honed showmanship. Although far from the highly-choreographed synchronized serving in high-end restaurants like Daniel, there is still a level of theatricality to the exodus of steak from the Peter Luger kitchen to each table. When our waiter brought out the bacon, he had inexplicably placed two bread-and-butter plates upside down in the middle of the table. As our steaks arrived their purpose became clear — the platters of meat are placed with one end resting on the butter plate, so the platter tilts, allowing the juices to drain down to the other end, which are then spooned back onto the steak, effectively pan-basting the meat table-side.

 

The hand-served elements of our meal, from left to right: creamed spinach, potato hash, steak.

The hand-served elements of our meal, from left to right: creamed spinach, potato hash, steak.

The porterhouses come pre-sliced, with some meat still left on the bone. Each diner is served a couple steaming pieces of the steak by one waiter, while another spoons out the creamed spinach, and a third serves the potato hash (which we didn’t know came with the steak, another insider tip that probably would have led us to opt out of the fries). The rest of the sides were served on platters, family style, in large heaping mounds. The general consensus was that at Peter Luger, the descriptive phrase “for two” implies two adults roughly equal in size to Shaq.

 

Classic steak fries -- my favorite kind.

Classic steak fries — my favorite kind.

The enormous pile of onion rings -- if a Bloomin Onion and calamari had a baby, it would taste like this.

The enormous pile of onion rings — if a Bloomin’ Onion and calamari had a baby, it would taste like this.

The creamed spinach was definitely heavy on the cream, almost the consistency of a Indian saag dish. My first bite was smooth and flavorful, but the spinach wore on me in the face of all of the fried foods and rich pieces of steak. I much preferred the fries and onion rings (what? it’s not like creamed spinach is really a “healthy choice” here). The fries were my favorite variety — thick cut steak fries, with excellent crisp on the outside and a soft starchy center. The onion rings were by far my favorite side, as evidenced by the hefty amount of damage I unleashed on the plate on my half of the table. I generally find that onion rings suffer from too many potential weaknesses, from the type of breading used to the thickness of the onion slice. But these were like the shoestring fries equivalent of onion rings, as if someone had sliced through a Bloomin’ Onion to the thinnest degree and piled it high. The thin slivers of onion were lightly fried, crunchy and crispy and well-salted to provide a contrast to the meat.

A view of the carnage mid-meal.

A view of the carnage mid-meal.

Speaking of, let’s turn our focus away from the hanger-ons and pan over to the star of the show, the Steak for Two. Even days later, it’s hard for me to articulate how delicious this piece of meat was. As I’ve mentioned before, I’ve become a part-time vegetarian these days, and even before then I’d generally opt for duck or lamb over a steak, but when I bit into the porterhouse at Peter Luger, I suddenly remembered why I’ve never turned in my carnivore card. This was, hands down, legitimately one of the best steaks I’ve ever eaten — it was perfectly medium rare, with a vibrant pink center, and dripping with juice as you cut into it. The first bite released an explosion of earthy, funky beef flavor with great crust on the outside, tender as you chewed, and slowly melting on your tongue to linger as a smooth, naturally umami aftertaste.

 

Bowls of shlag on a nearby table, waiting to be served.

Bowls of shlag on a nearby table, waiting to be served.

Although Serious Eats has named Peter Luger as having one of the best hot fudge sundaes in NYC (slightly dubious since they use Haagen Daz ice cream), we were way too full to test that claim. However, over the course of our entire meal we had seen waiters walk by with heaping bowls of whipped cream (referred to as “schlag”) as topping for the various desserts. As a lifelong whipped cream fanatic (I’ll choose it over frosting any day), I jokingly said we should ask our waiter if we could just get a bowl of schlag for dessert. Peter seized on my idea, and as soon as our waiter appeared to clear the table, Peter asked him if that was possible, literally inquiring as to if they would accommodate us, maybe for a little extra  (like $3 or something). Without a saying a word, our waiter just disappeared back into the kitchen, the doors barely swinging closed before he emerged with a full bowl of shlag exclusively for our table. While the bowl had only one spoon with it, it was served alongside PL’s signature parting gift, a bunch of chocolate coins (it’s Chanukah in August!), which served as excellent vehicles to shove the shlag into our mouths (I did eventually ask for more spoons). The shlag was heavenly — real whipped heavy cream, instead of the pressurized Reddiwhip. It was thick and slightly sweet with a faint vanilla flavoring. I would honestly go back just to get the chance to have more shlag. It was a truly decadent way to end an absurdly indulgent evening.

A bowl of shlag to call our own, with Peter Luger gelt for dipping!

A bowl of shlag to call our own, with Peter Luger gelt for dipping!

Final Thoughts:

 2013-08-03 12.32.04

There are countless movies and TV shows featuring an awestruck out-of-towner “discovering” New York, marveling at the tall buildings, boating on the lake in Central Park, and spinning around Times Square, overwhelmed by the glitz and glamour. Unfortunately, it’s hard to live day-to-day in this city and not start to notice the grime coating those bright lights. Between the homeless people, the piles of garbage, and the way the streets smell faintly of urine in the summer — it can be hard to keep the magic of the Big Apple in mind, especially when something just dripped on you and there’s not a cloud in the sky.

But sometimes the City finds a way to rub some more of that metropolitan sparkle into your eyes, finds a way to remind you of the collision of history, cultures, and sheer humanity that makes up New York. The fact that within a week I can eat at both the trendy, multicultural Spice Market and the traditional, fuhgeddaboudit, historic landmark Peter Luger Steakhouse is a testament to the endless possibilities of life in New York. My dinner at Peter Luger was a great wake-up call, a classically New York experience — this is how we do things, and you can like it or leave it. Well, like most of the diners at Peter Luger, I really, really liked it. From porterhouse-pros to those less beef-inclined, everyone should check it out, and at least put those Zagat claims to the test. Get a taste of history, get a bit of a New York attitude purer than that at the Bubba Gump Shrimp Co., and for the love of God, get a bowl of shlag. Trust me — I’m from around here.

 

Peter Luger Steakhouse

178 Broadway (at Driggs Ave)

peterluger.com