Fresh from the Market: Dinner at Fulton

2013-11-06 19.23.00

It’s pretty understandable that a city of millions could create a diverse food ecosystem, ranging from the micro-focused tiny shops like Bantam Bagels or Potatopia, to the restaurant empires of Danny Meyer and Mario Batali. There’s a lot of middle ground between those two poles, and I’ll admit the food nerd in me enjoys discovering the oft understated links between restaurants, especially when I find a relationship between two places I like. For example, did you know that The Smith is owned by Corner Table Restaurants, the same group behind the Greenwich Village restaurant Jane? Or that the mini-chain Five Napkin Burger was born out of the popularity of the eponymous dish on the menu at the Upper West Side’s Nice Matin? Sometimes connecting the dining dots in NYC reads like an exercise in genealogy.

I bring this up because of a recent dinner at Fulton, a seafood restaurant in my neighborhood. It turns out the restaurant is owned by Joe Guerrera, the man behind the Citarella gourmet markets. In fact, Fulton is right around the corner from the UES location, sitting just off 75th and 3rd. With such proximity to the famed seafood market (not to mention a name that nods to an even more storied market downtown), a fish-forward dinner at Fulton seemed like a no-brainer for my Baltimorean parents and their genetically brine-inclined daughter.

 

First Impressions:

Outside looking in at Fulton, with heatlamps primed to help you forget the chilly fall air.

Outside looking in at Fulton, with heatlamps primed to help you forget the chilly fall air.

Fulton has a classic, somewhat old-fashioned feel to it, evoking the stately taverns and older steakhouses I’ve dined at in New York. It was an unusually cold fall evening, so the heat lamps were on throughout the outdoor seating. Inside the decor is a mix of exposed brick, dark wood, and white walls decorated with charcoal scenes of fish markets. A sizable bar takes up a third of the restaurant as you enter; the rest of the space furnished with wooden two and four-tops and a banquet lining the back wall. My father lamented the modern trend of foregoing tablecloths, which Fulton ascribes to. I agree that it can add an extra bit of class to a meal, but a tablecloth can also reveal the unfortunate consequences of my klutzy dining habits (providing me with any sort of crusty bread yields a Pollock-esque scattering of crumbs around my butter plate).

The interior of Fulton is reminiscent of a classic American tavern.

The interior of Fulton is reminiscent of a classic American tavern, but nary a tablecloth in sight.

The staff at Fulton is very friendly, from the bussers constantly refilling our water glasses, to the waiters who happily answered our questions and gave advice on all three courses of our dinner. I was especially impressed when a passing server, noticing that my father had accidentally dropped his napkin on the floor, picked up the napkin immediately, and instead of just handing it back to my dad, gave him a brand new clean one as a replacement. It’s those small moments of thoughtful considerate behavior that really speak to the quality of a restaurant’s staff.

 

The Food:

Our tin drum of bread, with long rolls simply begging for a dunk in olive oil.

Our tin drum of bread, with long rolls simply begging for a dunk in olive oil.

Our meal started with an ample bread “basket” (aka tin bucket), filled with a variety of rolls and seeded mini-baguettes and served with a small bowl of olive oil. A sampler at heart, I always appreciate being given multiple bread options, and both the rolls and the olive oil were fresh (presumably sourced from Citarella next door).

Although I occasionally hem and haw over several enticing menu options, at Fulton I quickly zeroed in on my order. My mother and I split the Brussel Leaf Salad to start, while my father opted out of an appetizer. For mains, my mother chose the Whole Branzino, my father the Fulton Burger, and I got the Black Sea Bass. Never one to object to some additional sides, we selected the Lobster Hash and the Crab Mashed Potatoes, on the suggestion of our server. To round out our healthy meal, we all split the Cookie Monster dessert.

The Brussel Leaf Salad, visually appealing but in practice a little hard to eat.

The Brussel Leaf Salad, visually appealing but in practice a little hard to eat.

I’m not sure where I stand on split appetizer plating. On the one hand, it’s very considerate of the restaurant to divide the appetizer onto separate plates and ostensibly remove the issue of each person getting an equal portion. On the other hand, however, in some cases this leads to a modified dining experience, as ingredients are not always apportioned correctly. Unfortunately, the Brussel Leaf Salad (hazelnut-crusted goat cheese, caramelized pear) falls into the latter category. The dish was very artfully plated in distinct sections, the shredded brussels sprouts leaves in a small pile that was dusted with chopped hazelnuts, with a small globe of nut-encrusted goat cheese and a fan of caramelized pear slices on the side. While for the most part it was a fair split, the share of chopped hazelnuts was way more heavily weighted to my mother’s portion, and she was kind enough to switch with me, knowing I’m more of a hazelnut fan than she is. I found the salad very pretty to look at, but I’m one of those people who is always frustrated when served a salad that necessitates the diner to finish putting it together. (Don’t give me a pile of lettuce with a barely sliced chicken breast an assorted ingredients on top — if I’m at a restaurant, I don’t think it’s an unreasonable expectation to have my salad come pre-tossed.) Since the ball of goat cheese arrived somewhat chilled, it required a good deal of dexterity to combine the brussels leaves, a bit of hazelnut, pear, and a slice of cheese and achieve the full flavor combination intended for the dish. I enjoyed the mix of textures, and although I found the brussels a little underdressed, I thought overall it was a satisfactory appetizer, if slightly overshadowed by the rest of my meal. I think if I went back to Fulton, I would just give in and go for a full on fish meal, choosing the scallop appetizer instead.

 

The Whole Branzino, carefully filleted as requested.

The Whole Branzino, carefully filleted as requested.

As the name implies, the Whole Branzino is usually served whole, complete with head and bones, but when my mother requested it pre-guillotined, our waiter offered to serve it already filleted. The dish came with two small bowls, one filled with lemon slices, and the other with a seasoning blend (my mom chose not to use it, so I’m not sure what it was composed of). The bite I had was well-cooked and elegantly plated, but my mother found it a little plain (perhaps our server should have told us how to use the side-seasonings), and in need of some sort of greenery. Our decision to have solely starchy sides probably didn’t help matters, but at least she had some of the salad that came with my father’s entree.

The Fulton Burger, an inventive take on the crab cake model.

The Fulton Burger, an inventive take on the crab cake model.

Fulton actually has two items called “burger” on its menu — the traditional beef-based cheeseburger, and the eponymous Fulton Burger (swordfish, black cod, sea trout), a patty of diced fish served hamburger style on a brioche bun with greens and a citrus aioli. I’d never heard of this type of sandwich before, but it made sense considering the meatier texture of swordfish as a foundation. The cod and trout kept the patty from being too dense, and the bit I had reminded me of a crab cake (the broiled, not fried kind). There was a strong fish flavor that made sure you knew this was not your average beef-alternative burger, and I thought rounding the dish out with a small salad rather than fries helped to maintain the lighter, more refined aesthetic.

 

The Black Sea Bass -- my favorite dish of the night, from flavor to texture to composition.

The Black Sea Bass — my favorite dish of the night, from flavor to texture to composition.

My gut feeling about the merits of the Black Sea Bass (gnocchi, asparagus, mushrooms) ended up working very much in my gut’s favor. I chose it largely because of the accompanying sides — three of my menu compulsions, especially the gnocchi. It ended up exceeding my expectations — two tender, flaky fillets of bass with crispy skins on top, sitting on a bed of petite sliced button mushrooms that were rich and savory, along with starchy nuggets of gnocchi and sliced asparagus. Everything was cooked to the perfect texture: just a bit of snap to the asparagus, wonderfully tender mushrooms, buttery fish flesh that melted on my tongue, and the chewy but far from rubbery feel of the pasta. There was a light but milky sauce on the bottom of the dish which tied it all together. From the picture it might seem like accompaniments were a little sparse, but actually I thought the proportions of the dish kept the fish as the center of attention while providing some highlights with just the right amount of sides.

 

The Lobster Hash -- basically an extreme sports version of Lobster Benedict.

The Lobster Hash — basically an extreme sports version of Lobster Benedict.

Speaking of sides, I couldn’t help but be reminded of my steakhouse adventures at Peter Luger. It seems like Fulton ascribes to the classic steakhouse dinner model where your side orders add no nutritional value to your meal, but God are they decadent and worth a place at the table. Rich doesn’t even begin to describe the Lobster Hash, a mish-mash of claw and tail meat, sliced baby potatoes, pearl onions and gravy covered in a bearnaise sauce. It verges on ridiculous to relegate this to a side dish — it easily could have been an entree by itself. As with the rest of the seafood, the lobster was unbelievably fresh, combined with the gravy and bearnaise I couldn’t help but think of a creamy lobster bisque. I generally find whole pearl onions to be a bit overpowering, but in this case their sharp flavor helped to brighten the heaviness of the other components.

The Crab Mashed Potatoes -- flying slightly more under-the-radar.

The Crab Mashed Potatoes — flying slightly more under-the-radar.

The Crab Mashed Potatoes were a more subtle side dish. Mashed has always been my least favorite potato preparation (I miss the crunch of the skin you get in roasted, smashed, or french-fried), but Fulton gets props for how smooth and creamy our dish was (I don’t want to think about the amount of butter in them). The crab flavoring was very mild, to the point that my mother struggled to taste it. I think it definitely could have been more strongly crabby, but the faint hints of crab and old-bay flavors were enough variety to elevate Fulton’s take on mashed potatoes above the traditional preparation for me.

 

The Cookie Monster -- as its namesake warns, definitely a "sometimes food," but a damn delicious one at that.

The Cookie Monster — as its namesake warns, definitely a “sometimes food,” but a damn delicious one at that.

Now with a name like the Cookie Monster (Warm Chocolate Chip Cookie, Vanilla, Chocolate, Strawberry Ice Cream), you might think that I was insistent from the get-go about ordering this dessert. But please let the record show that my parents were the driving forces behind this choice, trumpeting said dish over the pedestrian Molten Chocolate Cake or Triple Layer Chocolate Fudge Cake (either of which I would have been more than happy with). But as luck would have it, the Cookie Monster is pretty damn appetizing, too. It took a while to arrive — to the point where we stopped our waiter to check on the status — but it proved worth the wait when the dish showed up with a clearly fresh-baked cookie on it. The dessert was plated with a soft, gooey and warm chocolate chip cookie base, then covered in three scoops of ice cream, a mountain of whipped cream and hot fudge, a tuille of white chocolate, and a scattering of fresh raspberries on the side. It was a marvelous contrast of temperatures and textures, like any good sundae should be. Granted, it was nothing too outrageous or inventive, but there’s a wonderful nostalgia to the good ol’ Tollhouse familiarity of the cookie and the fresh ice cream that was not too icy or soft, solid in execution if not of the showstopping quality of some of my recent gelato forays. Most importantly, did we clean that plate? Yes, yes we did. For all the quibbling over richness of chocolate and butterfat, truthfully, my parents and I just straight up love cookies and ice cream, and if you’re down wiith that, then Fulton will happily oblige.

 

 

Final Thoughts:

Overall, Fulton seems to be the sort of restaurant where a little background info or recommendations is the key to a good meal. The ties to Citarella (visible to the point of the doggy-bags — see below) make sure the quality of raw materials is high, but a standout dish is more than just the individual components. Go for items that have more of an obvious chef’s hand in them — the ones with a more visible flavor profile, more built-out accompaniments, or some sort of interesting twist in conception (such as the Fulton Burger). The truth is, you’re going to be better off getting a whole branzino at a great Italian restaurant than here. If you’re feeling a little more adventurous, hop a subway downtown, but with its good service, comforting desserts, and fresh ingredients from next door, Fulton provides a nice, slightly upscale neighborhood restaurant for the seafood-inclined, and is worth a visit if you’re sticking around the UES.

Our doggy bag for the evening.

Our doggy bag for the evening.

Fulton

205 E. 75th St (between 2nd and 3rd)

http://www.fultonnyc.com/

A New York Steak of Mind: Peter Luger Steakhouse

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Growing up just outside of the City in Westchester County, you would think my childhood was simply brimming with classic New York experiences. And while yes, I was lucky enough to see Broadway shows multiple times a year, chilled with the dinos at the Natural History Museum like it was my part-time job, and rode the Circle Line with my 3rd grade class, I missed out on many “typical” New York activities because they seemed cliche, touristy, and lame to a blase teenaged local. Even now, having come back to actually live in Manhattan post-college, there are still certain items left unchecked on my city to-do list, simply because of the way they make the native New Yorker hairs on the back of my neck rise (we’re not going to even engage in the from the city/from the suburbs who’s a native debate here — I’m at least a New York Stater by birth).

One of the crucial things you learn as you grow up, however, is that sometimes doing the “lame” or “touristy” thing is worthwhile. For every double-decker-open-air bus tour of Chinatown, there’s a mainstream experience that is popular because it’s actually pretty effing fantastic. Sometimes the hype is actually not hype at all, but merely an abundance of exuberance that should be heeded. And thankfully, there are still a few long-time New York institutions like Peter Luger Steakhouse to slap some starry-eyed sense into this skeptical New Yorker. Nothing like a healthy dose of history (and cholesterol-raising meat) to give a jaded girl a little bit of wonder.

I’ve talked about New York dining institutions before, but Peter Luger is in a different category. The restaurant was established not in the 21st nor 20th centuries, but way back in 1887 in then-predominantly-German neighborhood of Williamsburg (to this day mere blocks from the Williamsburg Bridge). It has been awarded one Michelin Star, was named to the James Beard Foundation’s list of “American Classics,” and was named the best steakhouse in New York by Zagat 28 years in a row (a fact they proudly showcase by lining a wall with the annual award plaques). It is the kind of place that is so popular, they can operate on a cash-only policy. Let me repeat that — a cash only policy. At a steakhouse. Well, to be honest they do honor one credit card — the Peter Luger Card. When I first heard about this, I was pretty skeptical. It sounded absurd, overblown, the kind of place that preys on poor schmucks who go to New York and think that they’re having a real authentic slice of pizza at a random “Original Ray’s.” But even before I knew of all the history and accolades, I had been told by multiple sources over and over that Peter Luger was a must-visit, a unique and extraordinary experience if you liked steak at all. So I tried to stay open-minded, paid a visit to an ATM, and made my way with a group of friends to Williamsburg last Friday night.

 

First Impressions:

The unobtrusive, classic brick facade of Peter Luger Steakhouse.

The unobtrusive, classic brick facade of Peter Luger Steakhouse, a legend looming large on the corner.

 

Because of its enduring popularity, my friend Peter was only able to score a reservation for 6 at 9:45pm, presumably the last seating of the night. Consequently, everything around Peter Luger was closed, and lent the restaurant a sort of “shining beacon” quality (this might have also been due to my intense hunger — I operate more on the early-bird special schedule than the Continental late night dining scene). Peter Luger sits squarely on the corner of its block, the decor traditional and old-fashioned both outside and in. Outside the worn dark wooden signage announces just “Peter Luger” — no mention of what kind of cuisine waits inside — above plain brick and large metal paned windows.

One of the dining rooms in Peter Luger -- plain furnishings except for some whimsical beer steins.

One of the dining rooms in Peter Luger — plain furnishings except for some whimsical beer steins.

Inside, I was immediately reminded of the German beer halls I’ve recently visited, except that here the design is based in the restaurant’s origin, rather than an appeal to a foreign cultural aesthetic. Once you step into Peter Luger you are met with oak floors, a long wooden bar, dark wood paneling and exposed crossbeams bracing white stucco walls. The impression of basic utilitarian necessity, clean but spare reigns supreme — brass chandeliers hang from the ceiling, and plain wooden tables and chairs make up the dining rooms. No tablecloths, no fancy schmancy place settings, no piped in music, and no paintings or posters. The only purely decorative objects were the series of beer steins of different colors and styles that were displayed along the dining room walls.

Even with our late reservation, the bar area was still packed with waiting parties when we arrived, so we milled around waiting to be seated and watched the staff rush from the kitchen to the three dining rooms with plates and plates of outrageously over-portioned food. Clearly this place was expensive, but you get a lot of bang for your buck. Watching the service in action, I couldn’t help but notice that all of the staff seemed to be men in their mid-40s, all dressed in the same suit of plain black pants, white shirts, and aprons, another slightly jarring sign of PL’s old-fashioned approach. Barely ten minutes later the crowds had thinned and our party was called to be seated (in fact, this was an accurate representation of the speed and quality of service — we were in and out of Peter Luger, and left very satisfied, I might add, in a little over an hour).

Sitting down to a table not so far removed from the Ikea dining set I have in my apartment (although PL’s probably has and will endure far longer than mine), we found plain white napkins, plain starter plates, stainless steel silverware and small water glasses. Oh, and a basket piled high with all different types of bread, which our waiter, a gruff but polite and attendant middle-aged man, refilled steadily until our steaks arrived.

 

The Food:

Our bountiful bread basket.

Our bountiful bread basket, with a gravy boat of Peter Luger‘s House Sauce on the right.

Our complimentary bread basket was filled with Parker House-like rolls, slightly charred at the edges, and a onion rolls speckled with salt and garlic and featuring slices of caramelized onion inside. I preferred the onion bread, although both rolls were well salted, chewy and soft. The only improvement would have been adding more onion to the inside of the rolls, to moisten the interior a bit. Alongside the basket were twin gravy boats of PL’s house steak sauce, a tomato-based, tangy condiment that reminded me of a less aggressive cocktail sauce. I tried the house sauce on nearly everything, and found, somewhat surprisingly, it pretty much compliments the menu. Peter’s girlfriend Carol (a pescetarian) even dressed her mixed green salad with it, over the blue cheese dressing she had initially chosen.

The menu at Peter Luger is as laconic as its wait staff — a bit unforgiving in the modern scene of endless options and descriptors (Grass-fed lamb shanks with rosemary clippings, chive blossoms, with a Swiss mint gelee, etc etc). Instead, you’re faced with a remarkably simple set of choices. Choose some appetizers. Choose some sides. You want steak? Choose how many people you want steak for, your options ranging from “Single Steak” to “Steak for Four,” with no elaboration on the preparation, cut, or how it is served (I guess in 1887, the idea of the empowered diner did not exist). Fortunately, most of us had done some level of research beforehand, and Diana had read that the best strategy was to get steak for (n-1), with n = the number of meateaters dining. So for our five carnivores, we would get enough steak for four people. But here’s the catch — there’s a difference between all those Steak for X entrees — what is not stated on the menu is that those are all different cuts of beef. My research had uncovered that PL’s  best cut was their Steak for Two, the Porterhouse, whereas the Steak for Four is a T-bone. We opted for two orders of the famous Steak for Two, five orders of the similarly famous bacon (offered by the single slice, and a must-try according to everyone I talked to), two orders of French Fries for Two, two orders of Onion Rings for Two, and some creamed spinach. Go big or go home, folks.

Bacon worth breaking the rules for.

Bacon worth breaking the rules for.

The bacon was the first to arrive, served as an appetizer. Now those who know me might be wondering why I ordered bacon in the first place. All through my childhood I operated under the premise that my family did not eat bacon in observance of kosher law (never mind our hypocritical love of crab crakes and beer-boiled shrimp), so I avoided any and all pork products I came across. Sometime during college my illusions were shattered when my father ordered a side of bacon at brunch, and since then, while I continue to avoid seeking out pork-based dishes (no carnitas for me), I don’t have a problem ordering a Cobb salad or a chowder with bacon in the broth. It’s hard to say no to a restaurant’s signature dish, however, so I was resigned to try Peter Luger’s bacon and see if it could win over a porcine-averse palate.

Peter Luger offers their bacon in single slice servings, which are doled out onto each plate by the waiter. Bacon-ignorant as I am, I could only guess that Peter Luger’s version is closer to the Canadian Bacon patties I’ve seen in Eggs Benedict than the thin crispy pieces on typical diner breakfast plates. The pink slice was thick, with a dark edge and lighter interior, and dwarfed my small bread-and-butter plate in length (it was probably the length of a standard oval seving dish). I tentatively cut into it, speared a bite, and suddenly understood our collective fascination with bacon.  The meat was simultaneously salty, savory, and unctuous. It was totally addictive, probably due to how how the fat content was — as Diana astutely pointed out, a cross section of the bacon revealed a small pink center bookended by delicious deposits of fat. Of course, the bacon was equally delicious dipped into the House Sauce, the sweet tang of the sauce complementing the sharp, salty meat. I’m not sure I could have had more than the one slice I got (especially considering the bounty of beef to come), but it was well worth breaking my person food rules. In what will become a common refrain in this post — listen to the hoi polloi when it comes to Peter Luger — the popular opinion knows what it’s talking about.

The steak, slightly elevated by smaller plates, mid-service.

The Steak for Two, slightly elevated by smaller plates, mid-service.

Only a few minutes after our somewhat-inappropriate bacon-induced moans of pleasure had subsided, our waiter was back, briskly removing our starter plates and replacing them with full sized dinner plates and a new set of silverware, including intimidating steak knives. Then, the main course service began. It’s a bit of a production, with multiple waiters assaulting the table with large portions of food in a precise, efficient display of well-honed showmanship. Although far from the highly-choreographed synchronized serving in high-end restaurants like Daniel, there is still a level of theatricality to the exodus of steak from the Peter Luger kitchen to each table. When our waiter brought out the bacon, he had inexplicably placed two bread-and-butter plates upside down in the middle of the table. As our steaks arrived their purpose became clear — the platters of meat are placed with one end resting on the butter plate, so the platter tilts, allowing the juices to drain down to the other end, which are then spooned back onto the steak, effectively pan-basting the meat table-side.

 

The hand-served elements of our meal, from left to right: creamed spinach, potato hash, steak.

The hand-served elements of our meal, from left to right: creamed spinach, potato hash, steak.

The porterhouses come pre-sliced, with some meat still left on the bone. Each diner is served a couple steaming pieces of the steak by one waiter, while another spoons out the creamed spinach, and a third serves the potato hash (which we didn’t know came with the steak, another insider tip that probably would have led us to opt out of the fries). The rest of the sides were served on platters, family style, in large heaping mounds. The general consensus was that at Peter Luger, the descriptive phrase “for two” implies two adults roughly equal in size to Shaq.

 

Classic steak fries -- my favorite kind.

Classic steak fries — my favorite kind.

The enormous pile of onion rings -- if a Bloomin Onion and calamari had a baby, it would taste like this.

The enormous pile of onion rings — if a Bloomin’ Onion and calamari had a baby, it would taste like this.

The creamed spinach was definitely heavy on the cream, almost the consistency of a Indian saag dish. My first bite was smooth and flavorful, but the spinach wore on me in the face of all of the fried foods and rich pieces of steak. I much preferred the fries and onion rings (what? it’s not like creamed spinach is really a “healthy choice” here). The fries were my favorite variety — thick cut steak fries, with excellent crisp on the outside and a soft starchy center. The onion rings were by far my favorite side, as evidenced by the hefty amount of damage I unleashed on the plate on my half of the table. I generally find that onion rings suffer from too many potential weaknesses, from the type of breading used to the thickness of the onion slice. But these were like the shoestring fries equivalent of onion rings, as if someone had sliced through a Bloomin’ Onion to the thinnest degree and piled it high. The thin slivers of onion were lightly fried, crunchy and crispy and well-salted to provide a contrast to the meat.

A view of the carnage mid-meal.

A view of the carnage mid-meal.

Speaking of, let’s turn our focus away from the hanger-ons and pan over to the star of the show, the Steak for Two. Even days later, it’s hard for me to articulate how delicious this piece of meat was. As I’ve mentioned before, I’ve become a part-time vegetarian these days, and even before then I’d generally opt for duck or lamb over a steak, but when I bit into the porterhouse at Peter Luger, I suddenly remembered why I’ve never turned in my carnivore card. This was, hands down, legitimately one of the best steaks I’ve ever eaten — it was perfectly medium rare, with a vibrant pink center, and dripping with juice as you cut into it. The first bite released an explosion of earthy, funky beef flavor with great crust on the outside, tender as you chewed, and slowly melting on your tongue to linger as a smooth, naturally umami aftertaste.

 

Bowls of shlag on a nearby table, waiting to be served.

Bowls of shlag on a nearby table, waiting to be served.

Although Serious Eats has named Peter Luger as having one of the best hot fudge sundaes in NYC (slightly dubious since they use Haagen Daz ice cream), we were way too full to test that claim. However, over the course of our entire meal we had seen waiters walk by with heaping bowls of whipped cream (referred to as “schlag”) as topping for the various desserts. As a lifelong whipped cream fanatic (I’ll choose it over frosting any day), I jokingly said we should ask our waiter if we could just get a bowl of schlag for dessert. Peter seized on my idea, and as soon as our waiter appeared to clear the table, Peter asked him if that was possible, literally inquiring as to if they would accommodate us, maybe for a little extra  (like $3 or something). Without a saying a word, our waiter just disappeared back into the kitchen, the doors barely swinging closed before he emerged with a full bowl of shlag exclusively for our table. While the bowl had only one spoon with it, it was served alongside PL’s signature parting gift, a bunch of chocolate coins (it’s Chanukah in August!), which served as excellent vehicles to shove the shlag into our mouths (I did eventually ask for more spoons). The shlag was heavenly — real whipped heavy cream, instead of the pressurized Reddiwhip. It was thick and slightly sweet with a faint vanilla flavoring. I would honestly go back just to get the chance to have more shlag. It was a truly decadent way to end an absurdly indulgent evening.

A bowl of shlag to call our own, with Peter Luger gelt for dipping!

A bowl of shlag to call our own, with Peter Luger gelt for dipping!

Final Thoughts:

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There are countless movies and TV shows featuring an awestruck out-of-towner “discovering” New York, marveling at the tall buildings, boating on the lake in Central Park, and spinning around Times Square, overwhelmed by the glitz and glamour. Unfortunately, it’s hard to live day-to-day in this city and not start to notice the grime coating those bright lights. Between the homeless people, the piles of garbage, and the way the streets smell faintly of urine in the summer — it can be hard to keep the magic of the Big Apple in mind, especially when something just dripped on you and there’s not a cloud in the sky.

But sometimes the City finds a way to rub some more of that metropolitan sparkle into your eyes, finds a way to remind you of the collision of history, cultures, and sheer humanity that makes up New York. The fact that within a week I can eat at both the trendy, multicultural Spice Market and the traditional, fuhgeddaboudit, historic landmark Peter Luger Steakhouse is a testament to the endless possibilities of life in New York. My dinner at Peter Luger was a great wake-up call, a classically New York experience — this is how we do things, and you can like it or leave it. Well, like most of the diners at Peter Luger, I really, really liked it. From porterhouse-pros to those less beef-inclined, everyone should check it out, and at least put those Zagat claims to the test. Get a taste of history, get a bit of a New York attitude purer than that at the Bubba Gump Shrimp Co., and for the love of God, get a bowl of shlag. Trust me — I’m from around here.

 

Peter Luger Steakhouse

178 Broadway (at Driggs Ave)

peterluger.com

Brunch at Good Enough to Eat: It’s all About the Biscuits, Baby

I like to think of myself as a fairly tolerant, openminded person, but there are two types of people in this world that I believe I fundamentally cannot get along with: people who hate dessert, and people who hate bread. I’m just not sure what common ground we could find. Obviously we’ve heard a fair amount about my love of dessert — today, let’s focus on the other vice.

There are restaurants I frequent purely because of the bread they offer, from megachains to haute cuisine. One of the best parts about going to Outback Steakhouse (Bloomin’ Onion aside) is the endless supply of their Questionably Authentic Aussie Brownbread. The breadbowl at Panera is equally legendary, as is the Rustic Flatbread of Cosi, and the buttermilk biscuits at Cracker Barrel.  Not to mention the complimentary bread baskets like those I encountered at Dr. Shakshuka in Jaffa, or the cornucopia of white, multigrain, and raisin nut rolls offered at restaurants like Daniel or Toqueville, where you may pick as many as your carb-loving heart desires.

An embarrassing personal story to further illustrate: the summer after my freshman year of college, I was lucky enough to be able to go to the Cannes Film Festival through Penn’s Cinema Studies program. Although we had access badges for the festival, they were very limited, which meant that the only way to see the top-bill movies was to wait on line, sometimes for hours, for any extra available seats. And so what did this fresh-faced, first time in France ingenue choose for sustenance during the long, hot hours of hope and disappointment? Why, entire loaves of raisin bread, of course. Much like my deplorably slow learning curve with Starbucks hot chocolate, it took me way to long to fully consider the ramifications of consuming entire boules daily.

While I’m slightly more realistic these days about the amount of bread I should be putting in my body each day, my fervor is far from diminished. And so after months of Jacob regaling me with tales of the buttermilk biscuits (and generally high caliber brunch) at Good Enough to Eat, we finally found a Saturday morning to make the trip to the Upper West Side, and try them out.


First Impressions:

Good Enough to Eat's cozy, laid back charm.

Good Enough to Eat‘s cozy, laid back charm is obvious from your first glimpse.

Good Enough to Eat is another one of those New York food scene staples. The restaurant was established in 1981, a fact they rightly take great pride in, considering the ephemeral nature of restaurants in Manhattan. GETE’s enduring popularity was clear to see when I arrived on Saturday morning. The restaurant opens at 9am, outrageously early by NY brunch standards, but even by the time I got there at 9:30, there was already a line waiting outside. Yes, the weather was especially nice this weekend, but the majority of the brunching populace was unlikely to be out and about for at least another hour and a half.

The line greeted me bright and early on Saturday morning.

The line greeted me bright and early on Saturday morning.

GETE’s whole aesthetic evokes a folksy New England small town cafe, from their maroon awnings with white trim to the literal picket fence that borders their outdoor seating. The fence actually appears again once inside GETE, where is separates the bar from the dining area. Inside, the walls are exposed brick, covered with knick knacks and odds and ends, most of which involve depictions of cows. Even the bathroom has a collection of hand-drawn cows sent in by children. Some of the quirkier decorations include a random muffin tin high on the wall, Good Enough to Eat -branded clothing (another testament to its popularity), and fake potted plants. The place is small, with probably only ten tables inside and another six outside, and there is a general bustling air of charming unpretentiousness, from service to plating to the menu itself. There’s a full bar, as well as a classic diner-style case full of homemade baked goods, from muffins (clearly they have other tins available) to a variety of pies.

The indoor section of the picket fence is just visible at the bottom center.

The indoor section of the picket fence is just visible at the bottom center.

The pie case next to the full bar.

The pie case next to the full bar.

Looking towards the back of the restaurant. Note the muffin tin on the right hand wall.

Looking towards the back of the restaurant. Note the muffin tin on the right hand wall.

Unfortunately, there is a downside to this casual attitude in the way that incoming customers are handled. The staff is very nice, but GETE does not take reservations for brunch, nor do they take your name up front. Instead, everyone gets in line outside of the restaurant, and the hostess comes by to find out how many people are in your party, then seats available tables depending on size. With this system, it is perfectly possible that a group of four arriving after a group of two could be seated first (as actually happened to us). Jacob and I ended up waiting about 30 minutes for our table, so I can only imagine what the wait would be like around noon.

 

The Food:

Eventually we were seated, and once we sat down the service was prompt, but never to the point of ushering us out the door (we had time to eat and linger for a bit afterwards). As it was Cuatro de Mayo, there were a number of Latin-themed brunch specials, but I opted out because they came with tortillas instead of biscuits, and I had my eye on the prize. I think this ultimately tempered my enthusiasm, however, as in my heart of hearts I was really in the mood for Huevos Rancheros or something similar.

On the weekends, GETE only serves breakfast and dinner menus, so even later-arriving brunchers should expect maple syrup over mayo as the condiment of choice. There are a number of options within this sphere of brunchfluence, luckily, so diners can pick from several different types of pancakes, waffles, and egg dishes, and GETE even offers a tofu scramble for vegans. I ended up ordering the “Little Italy Omelet,” while Jacob picked the Turkey Hash. After our half hour wait just to get it, I was pleasantly surprised by how quickly our meal arrived.

The "Little Italy Omelet" -- well executed, but nothing spectacular.

The “Little Italy Omelet” — well executed, but nothing spectacular.

The omelet was filled with roasted mushrooms, sundried tomatoes, and mozzarella cheese, and came with biscuits and strawberry butter, of course. GETE cooks their eggs loose, which they do mention on their menu, but I neglected to notice this until after I had ordered, so the omelet was a little underdone for my tastes. It was still cooked well, and there was a good proportion of eggs to filling. The roasted mushrooms and tomatoes dominated the dish, especially the tomatoes which definitely tasted of being packed in olive oil. I found the eggs a little underseasoned, but still it was a solid omelet that was the right size to leave me full without being too heavy.

Jacob's "Turkey Hash" -- a pile of breakfast.

Jacob’s “Turkey Hash” — a pile of breakfast.

I thought Jacob’s dish was a bit more successful. The Turkey Hash is made up of roast turkey, potatoes, red bell peppers, carrots, celery, and two poached eggs, and comes with the aforementioned biscuits and strawberry butter. At least on Saturday I had a serious need for potatoes in my breakfast, because I went after the ones in Jacob’s dish when he offered a taste. It was a sizable dish, and I probably wouldn’t even need the turkey to be satisfied by it, although I was impressed that there was actually chunks of roast turkey, rather than slices of cold-cut. The dish was really elevated when Jacob broke open the poached eggs, and the rich, buttery yolk soaked into the hash. The turkey and vegetables were fork tender and far from dry, but you really can’t argue with throwing another layer of cholesterol on the pile.

But the best part of my brunch by far were the biscuits and butter. Although they had been built up quite a bit, I did not think they were oversold. The strawberry butter was soft and fresh, and had small slivers of actual fruit in it, muddled in like a beautiful butter cocktail. It’s hard to recall, given the sangria-induced stupor of my brunch at Calle Ocho, but I think Good Enough to Eat trumps it in terms of purity of strawberry flavor. The biscuits were small, about the size of those store brand square Parker House rolls my mom used to put out for dinner (those rolls were sick — can you still buy them?). The biscuits split apart easily, the middle soft and just a touch flaky, but far from the commercial endless layers of Pillsbury Grands. They arrived on the plate slightly warm. I don’t think they were fresh from the oven, but in terms of texture they were still tender and moist, and buttery in a real, goddamn there’s a bunch of butter in this way, almost creamy when mixed with the strawberry butter.

Just two biscuits was not enough, and I think if I could do it again, i would just accept the fact that I’m a bread fiend and get one of the other, more exotic brunch dishes (like the Apple Pancake, the Pumpkin French Toast, or the standard menu item of the Migas: scrambled eggs with tortillas chips, bell pepper, cilantro, onion and cheese) and just shamelessly order myself a side of biscuits as well.

 

Final Thoughts:

Overall, my brunch at Good Enough to Eat was solid, if not awe-inspiring, but in retrospect a lot of the disappointments probably came from not listening to myself. The lesson here is trust your gut when you’re about to fill it, folks. Good Enough to Eat is a cheap enough Manhattan brunch for you to indulge in a side of biscuits if it’s mandatory like it was for me. I’d recommend trying it out, if mostly to have the experience of dining at a NY institution — not too many places in New York make it into their fourth decade. The prices are reasonable, the atmosphere friendly and homey, and the biscuits are worth the trip uptown. Since Good Enough to Eat takes reservations for dinner, and offers both the biscuits and some of the more popular brunch dishes (like the Migas and the Gramercy Omelet) on their dinner menu, I think I’ll avoid the wait next time and go in the evening. That way I can hit all my weaknesses and indulge in dessert as well. Because if their biscuits are any indication, in the category of baked goods, Good Enough to Eat very much lives up to its name.

 

Good Enough to Eat

483 Amsterdam Ave (at 83rd St)

http://goodenoughtoeat.com/

 

Sans Mystery Meat: Dinner at Cafeteria

In the arts there is a concept known as the “Rule of Three,” which basically posits that information grouped in threes is more effectively communicated than in any other number. This is why there are Three Little Pigs, three ghosts in A Christmas Carol, and three Star Wars films (in my universe). The power of a triad comes from the creation of a progression — the audience is shown two similar items that set up an expectation — followed by the subversion of that progression by the final piece. We delight in this surprise, in having our foregone conclusions flipped on their heads. I find that same wonder when I encounter new takes on traditional food, when my preconceived notions of taste and texture are counted on, and then thrown out the window. It’s what made the Salty Pimp at Big Gay Ice Cream so appealing, and what makes me desperate to visit Peanut Butter & Co. for their spin on a PB&J.

My dinner at Cafeteria this weekend was an exercise in expectation subversion, and I mean that in the best way possible. When you decide to get whimsical with well-known recipes, you better deliver on quality, and thankfully, my meal at Cafeteria was far beyond lunchlady ladling.


First Impressions:

Cafeteria sits on the corner of 17th St. and 7th Ave South.

Cafeteria sits on the corner of 17th St. and 7th Ave South.


This was actually my second time at Cafeteria, but my first visit was for a first date a couple of years ago, so let’s just say the restaurant itself was not the center of my attention. This time I was hosting my college roommate Megan for a weekend visit, and the two of us were meeting another friend for dinner, so I got to appreciate the venue a bit more. Cafeteria is located in Chelsea, and features an aesthetic that walks the tight-rope between modern restraint and self-aware winking. The decor is chic, black and white, and featuring lots of cut outs and gleaming surfaces. It appears about as far from the average dumpy cafeteria as you can get. Megan commented that it actually reminded her of Jones, one of our favorite Stephen Starr restaurants in Philadelphia (where we went to school). Jones has a similar take on down-home American food — it’s like gourmet IHOP (I highly recommend their chicken and waffles if you’re in Philly).

The chic interior of Cafeteria, with it's front windows open for sidewalk seating.

The chic interior of Cafeteria, with it’s front windows open for sidewalk seating.

However, Jones does not venture into camp the way Cafeteria does. Megan and I arrived early, so we got drinks at Cafeteria’s small lounge area downstairs. The drink menus featured a shirtless man posing seductively with a cheeseburger, which some could take as a heavy-handed cypher for the restaurant’s goal of making comfort food sexy. Fortunately, this was Cafeteria’s most over-the-top moment, well, that and the names of the cocktails.

Our alluring drink menus.

Our alluring drink menus.

Speaking of which…

The Food:

My cocktail -- "Liquid Passion"

My cocktail — “Liquid Passion”


Cafeteria offers an extensive drinks menu, from beer and wine to some playfully named cocktails. Megan and I decided to embrace a girly stereotype or two and ordered off of the champagne-based section of the cocktail menu. Inspired by my fruit-and-vegetable adventures in Israel, I had the “Liquid Passion,” composed of prosecco, passion fruit juice, and “edible flower.” I really enjoyed the cocktail, which was pretty much a passion fruit bellini, although I couldn’t tell you what the edible flower added to the experience, in taste or texture. But I would consider bringing along some passion fruit juice instead of OJ or peach to my next brunch picnic.

Megan's drink, the "White Peach Classico"

Megan’s drink, the “White Peach Classico”

Megan got the “White Peach Classico,” made up of prosecco, “artisanal peach bitters,” Gran Classico and burnt orange zest. This cocktail was well balanced, and both Megan and I commented that the peach flavoring was subtle — more natural than the Del Monte peaches in syrup cloying sweetness. Again, there was no real indication of where the burnt orange zest was, except for some lingering pieces of peel at the bottom of the glass.

When Jacob joined us he branched out beyond the bubbly beverage, choosing the “Cafeteria Cosmo” — Svedka Clementine, cranberry and passionfruit juice. Tasty and dangerous, since it was one of those cocktails where you’re not sure if you’re actually drinking alcohol.

The waiter suggested Jacob get the "Cafeteria Cosmo" on the rocks, so it appears slightly manlier here than it actually was.

The waiter suggested Jacob get the “Cafeteria Cosmo” on the rocks, so it appears slightly manlier here than it actually was.


As with most of my meals with Jacob, we decided to go family style on dinner, and fortunately Megan has similar priorities about trying as many dishes as possible. We ended up ordering an assortment of appetizers and sides and one entree to share, which ultimately verged on too much food for the three of us, but we were troopers and took one for the team … and then walked down for dessert at Big Gay Ice Cream (I wasn’t letting Megan leave New York without trying the Salty Pimp).

The meal started with complimentary cheddar biscuits and honey butter. The biscuits were warm from the oven, soft and doughy, with just a hint of cheese, and did a great job of putting me in the spirit for some well-executed comfort food. I actually preferred them on their own, finding the addition of the honey butter a little too rich. I also appreciated the presentation of the biscuits in a newspaper-lined basket, immediately setting the tone of elevated familiarity.

These delicious biscuits were one of the highlights of the night.

These delicious biscuits were one of the highlights of the night. You can see the cheese flecked throughout the dough.


For our appetizers we chose the Crispy Green Beans, and a Cheddar and Fontina Macaroni and Cheese. Cafeteria actually has four types of mac and cheese on its menu (or the fifth option of the “Mac Attack” tasting of three), but Jacob is a seasoned Cafeteria vet and guided us towards the more classic two-cheese option.

It's still considered healthy if you can see some green beneath the frying, right?

It’s still considered healthy if you can see some green beneath the frying, right?

I have little love towards green beans in general. As a child they were one of my least favorite vegetables (along with peas and broccoli), but I’ve come around to them depending on how they’re prepared. Basically, add enough butter to any previously-loathed vegetable and I’ll dig right in. The Crispy Green Beans were lightly fried in a delicate batter, with their green skins still visible through the crust. As advertised, they were crispy without providing a real crunch, so you still had the vegetal flavor as dominant, heightened by the salty, buttery coating. The dish came with a grilled lemon and a soy-based sesame ginger dipping sauce, although again I thought the beans were better sans sauce. Adding soy on top of the salted, fried strips was too much salt for me. Despite my negative history with green beans, this dish was actually one of my favorites of the night.

A two-cheese mac and cheese, so ... a mac and cheese cheese?

A two-cheese mac and cheese, so … a mac and cheese cheese?

The mac and cheese was a strong contender, but I didn’t find it innovative enough to stand out. Perhaps my disappointment is unwarranted, considering we went for the more classic take on mac and cheese, over the truffle oil or buffalo blue cheese, but my feelings for the dish are largely “delicious, but not something I would order again.” The portion would have been enough for someone’s entree, but split between three people it was a reasonable appetizer. There was a defined crust that gave way to a cheesy roux and al dente noodles, and there’s no arguing with a pairing like fontina and cheddar. I definitely enjoyed it more than the dishes I’ve tried at S’Mac, but compared to the interesting interplay of texture and taste with the Crispy Green Beans, the mac and cheese felt a little “old-hat.”

For our main course we shared the Black Kale Salad, the Zucchini Parm Latkes, and the Pecan Crusted Catfish.

The Black Kale Salad -- a one two punch of spice and bitter -- not my cup of tea, unfortunately.

The Black Kale Salad — a one two punch of spice and bitter — not my cup of tea, unfortunately.

The Black Kale Salad is a new seasonal menu item. It seemed like Cafeteria rotates a significant number of dishes each season, as Jacob’s favorite dessert is no longer being offered (a homemade Reese’s Peanut Butter Cup, curse the cruelty of fate!). In fact, if you’re mildly obsessive like me, you will note that the kale salad described on Opentable’s Cafeteria menu page is different from the one we encountered at dinner. This brand spanking new salad boasted black kale (naturally), with pine nut gremolata, mint, ricotta salata, and a jalapeno grilled lemon vinaigrette. All three of us are wimps when it comes to spicy food, so we opted to have the dressing on the side. However, after a few forkfuls into the salad it became clear that the bottom of the plate had been lightly coated with the jalapeno vinaigrette, leading to some impolite grimaces as we tried to put on brave faces. I’ve also yet to fully get onboard the kale train, so I was hoping that the rest of the items in the salad would balance the bitterness of the greens. The mint and jalapeno did offer up some strong punches of flavor, and the ricotta salata worked to cool things down a bit, but overall I was looking for a light and refreshing dish to counterbalance the heaviness of the rest of the meal, and I just found the salad overwhelming, jumping back and forth from bitter to spicy.

Zucchini Parm Latkes win points for presentation in their tiny cast iron skillet.

Zucchini Parm Latkes win points for presentation in their tiny cast iron pot.

The Zucchini Parm Latkes sounded like an interesting meshing of Eastern European and Italian food, so I was eager to see how they would pan out. To be honest, I didn’t taste the “parm” part, but the pancakes were fried to the perfect point of crispyness, and I appreciated that they were not thick patties of starch. My pancake had good crunch to it, although I missed the biting contrast of an onion (you know how I feel about onions in my latkes). I could have sworn I detected an herby, almost mint taste running through my latke.  At first I thought it was just the kale salad lingering on my tongue, but Jacob agreed that he tasted mint or chives of some sort, which threw off the buttery, warm flavors of the latke. The best part of the dish was the apple sauce — basically a thick apple compote, nearly the density of apple pie filling, fresh, sweet, and chunky with a real crisp apple taste. I could easily imagine it on the table at Thanksgiving.

My personal winner of the night -- the Pecan Crusted Catfish.

My personal victor of the night — the Pecan Crusted Catfish.

My favorite dish of the night was the Pecan Crusted Catfish, despite the fact that I’ve never really liked catfish. It’s an unreasonable excuse, but whenever I see catfish on a menu I immediately think of the live fish and get a little bit grossed out. Something about the whiskers throws me off. I mostly pushed for ordering this dish because of how I imagined the combination of a pecan crust and the included sides would work together. The dish came with a sweet potato hash, smoked Cipollini onions, and a red pepper emulsion. The fish was tender and flaky, providing a nice contrast with the crunchy pecan coating. It will come as no shock that I loved the sweet potato hash. The smoky onions and bright acidity of the red pepper sauce helped to tame the sweetness of the pecans and sweet potatoes. Looking back on it, the catfish itself was pretty much just a vehicle for the other flavors in the dish, since I can’t say anything specific about the fish’s flavor. However, the fish did nothing to detract from my appreciation of the rest of the dish, so I’d happily order it again. Like my other favorite of the night, the Crispy Green Beans, it was a sophisticated take on a comfort food standard, elevating a commonplace fish like catfish with a novel crust and sides that worked together to create an unexpected starring element.


Final Thoughts:

The word “cafeteria” generally conjures up such appetizing phrases as “hairnet,” “glop,” and “mystery meat.” But thankfully Cafeteria the restaurant is well aware of those standards and is happy to toy with them for your benefit. They’re encouraging you to engage your expectations and hope that they’ll be twisted and turned around — that your order of steamed, limp green beans will be battered and crisply fried, that you can choose between meatloaf, biscuits and gravy, or chicken paillard any time of day, and that you’ll see nary a plastic tray nor lunchlady in sight. I really enjoyed my dinner at Cafeteria because it took advantage of my curiosity. I wouldn’t normally order green beans or catfish, but I was intrigued by the way Cafeteria was reimagining them. Sometimes that leap of faith fell flat on the floor, but in other cases I discovered a new appreciation for foods I’d written off.

Maybe what we’re forgetting is that the root of the American cafeteria is the idea of communal dining, of taking a break from work or school to sit down and press the pause button on everything but the food in front of us. Yes, Cafeteria is about as far from my middle school lunchroom as you can get, but even without the little cartons of chocolate milk, I couldn’t help but think of the sheer joy of breaking free from classes and responsibilities and getting to hang out with my friends. For that aspect, Cafeteria happily hits the nail straight on the head.


Cafeteria

119 7th Ave (Corner of 17th St)

http://www.cafeteriagroup.com/