Sometimes You Feel Like a Legume: Dinner at Peanut Butter & Co.

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I am a peanut butter freak, and I’ve discovered it’s an ailment that has only gotten worse as I’ve aged. When I was younger I used to be very picky about the quality of the peanut butter I tasted — Ritz Bitz was authentic enough for me, but Lord, the indignity of lowering myself to the artificial flavor of Peanut Butter Captain Crunch. I was a loyal Jif girl, and looked down my nose at other peanut butter brands. And though I’d like to think that my palate has gotten more refined as I’ve gotten older, my love of all things peanut butter has curiously grown by leaps and bounds, breaking free of my previous (mis)conceptions and invading all aspects of my eating (did you know peanut butter tastes great with yogurt? salads? cheese?).

Way back in April of last year I mentioned my desire to visit Peanut Butter & Co., and now I am proud to say I can finally check that item off my NYC food-list. I’d heard about Peanut Butter & Co. years ago, but had never found the time to go downtown and visit their store, nor even try their line of peanut butters that I’ve seen slowly expand through the tri-state area. Thankfully, Laura, my partner in crimes-related-to-pb & j (see our Jam Crawl and our visit to Bantam Bagels), was kind enough to take me to dinner at PB&Co. as a belated holiday present. It was a trip nearly a year in the making, but for a peanut butter devotee such as myself, it was a decidedly necessary pilgrimage to the Valhalla of cream-and-crunchdom.

 

First Impressions:

Peanut Butter & Co. is located in Greenwich Village, just off of Washington Square Park and the hub of NYU. It obviously benefits from being so close to a huge student population, and its menu of sandwiches, cookies, brownies and ice cream seems tailor-made for hungover college kids.

The counter at PB&Co., with the kitchen behind taking up nearly half the cafe's space.

The counter at PB&Co., with the kitchen behind taking up nearly half the cafe’s space.

The photos I had seen of the cafe made it seem like a large space, but standing outside the doors it became clear that it’s a relatively shallow store, with nearly half of the real estate taken up by the kitchen and counter. Entering the cafe, you find the cashier to the left, a small retail section in the back featuring the titular line of peanut butters, merch, baked goods and drinks, and then to your right a collection of tables, seating probably the same amount of people as the average Manhattan Starbucks. The decor is friendly and pared down, the exterior of the store painted bright blue and white, and the inside evoking a classic American kitchen with pastel yellow walls covered in vintage advertisements for peanut and sandwich products.

Vintage ads show the legacy of peanut butter's place in American hearts.

Vintage ads show the legacy of peanut butter’s place in American hearts.

Honestly, I had no idea Marshmallow Fluff came in flavors other than "marshmallow."

Honestly, I had no idea Marshmallow Fluff came in flavors other than “marshmallow.”

The service style is a little odd. There’s no table service (you order at the counter), but they do bring your food straight to your table … sometimes (we had to go up and fetch our own dessert). We also encountered a somewhat strange scenario during our visit — generally, PB&Co. has a faucet at the counter that dispenses regular NYC tap water (since everyone including Barney knows that PB leaves you pretty parched), but it was broken, and therefore covered to prevent anyone trying to use it. This meant that when we asked for tap water, the cashier told us our only option was to buy a bottle of water, citing a violation of NYC health chodes to fill a customer’s glass from a tap behind the counter. Now, granted I don’t know the health code, but you’d think they could have gotten a cooler or filled a pitcher, rather than forcing people to pay and engendering ill will. But then again, it seems to be a bustling place with a steady stream of customers, so perhaps they think they’ll just try to get a few more bucks out of folks until someone really puts up a fight.

 

The Food:

Tempting, but perhaps a bit much for the first visit.

Tempting, but perhaps a bit much for the first visit.

In order to get the most out of the PB&Co. menu, we opted to split two sandwiches and share a dessert, ordering The Elvis, The Heat is On Sandwich, and the Bananarama Sundae to finish up. All of the sandwiches are served with both carrots and PB&Co. brand chips, which helps to fill out the plate a little bit. Not surprisingly, our sandwiches were ready in no time, so we could get down to some serious chewing.

 

The Elvis, perhaps underserved by a lack of bacon.

The Elvis, perhaps underserved by a lack of bacon.

The Elvis (“A grilled peanut butter sandwich, stuffed with bananas and honey”) is offered with an optional addition of bacon, and part of me regrets deciding to go without, because I think it would have added that extra salt and crunch the sandwich needed. The sandwich was very uniform in texture, soft and gooey from being grilled. Now both Laura and I agreed that almost any sandwich improves with grilling, but in this case, because of the melted quality of the peanut butter, it was nearly impossible to tell that we had chosen PB&Co.’s “Crunchtime” crunchy peanut butter, which I had hoped would mix things up a bit in terms of mouthfeel. The flavor was certainly pure and strongly peanutty, and ended up being the dominant note of the sandwich. I have to question the cafe’s definition of “stuffed” here, because both the honey and the banana seemed conservatively applied, getting lost in the melting swirl of the peanut butter. Still, you can’t fault the combination of flavors as a classic, and I thought the peanut butter itself was top notch. There’s just something so delightful and nostalgic about the oozing, gooey drip of peanut making your fingers sticky and forcing you to lick it off like a 5 year old. But Laura and I concurred that The Elvis was very much a sandwich we could have made in our own kitchens (even with PB&Co.’s own product), and gotten more bang for our buck.

 

The Heat is On Sandwich — not quite a Thai dish, but an interesting play on flavors.

The Heat is On Sandwich — not quite a Thai dish, but an interesting play on flavors.

The Heat is On Sandwich (“Spicy peanut butter and chilled grilled chicken, with a little bit of pineapple jam. Like a Thai satay — only better”) was definitely the most interesting dish of our dinner, and I’m glad that Laura convinced me to order this over another meatless option. The title refers to PB&Co.’s spicy variety of the same name, and I was a little nervous about how hot the spread would be. It turned out to have a substantial kick to it, with the inherent sweetness of the peanut butter up front and the cayenne really coming through on the back end. The chicken was firm yet moist, although it mostly served as a vehicle for the peanut butter’s dominating flavor. Similarly, it was hard to discern the pineapple flavor of the jam, although I appreciated the gelatinous texture and the jam’s use as a cooling element against the spicy peanut butter. Although PB&Co. describes it as similar to a Thai sandwich, I found it lacked the soy/umami taste that separates satay sauces from regular melted peanut butter. We got the sandwich on toasted whole wheat bread, and I had hoped that meant the entire sandwich would be grilled (see comment about the benefits of grilling above), but alas, the toaster touched the bread only. This was certainly a more creative and more filling sandwich than The Elvis, and I could see this being a knockout dish if it was first grilled, and then had the pineapple jam applied.

Now before I even comment on our sundae, let’s take a moment to discuss proper ice cream serving etiquette. Ice cream sundaes, if served in a tall glass or high-rimmed bowl, should come with long-handled spoons, preferably metal ones. Otherwise you’re left with an inadequate tool for digging deep to the bottom of the bowl to scoop out lingering hot fudge or an errant chocolate chunk, and risk getting melted ice cream all over your hands in the process of excavation. (This pertains mostly to hard-style ice creams — a soft-serve Carvel sundae, for example, will yield easily to a plastic spoon.)

The visually pleasing, if haphazardly constructed Banarama Sundae.

The visually pleasing, if haphazardly constructed Banarama Sundae.

The Bananarama Sundae (“What a banana split! Three scoops of ice cream, sliced bananas, graham crackers, peanut butter, Marshmallow Fluff, whipped cream and chocolate sauce. Wonderful for sharing, if you are so inclined”) was cutely served in a large mug, but arrived with only flimsy plastic spoons with which to tackle it. This made it difficult to get a bite that involved all of the elements of the dessert, especially considering the middle layer of solid chocolate ice cream. It was aesthetically pleasing, with a large dollop of whipped cream on top, drizzled with chocolate sauce and graham cracker crumbs. Generally the sundae comes with vanilla ice cream, but PB&Co. had sold out of it earlier in the day (a testament to the appeal of their ice cream, since it continues to be frigid in NYC). We opted for chocolate ice cream as the base of the dessert, and I’d actually recommend requesting it over the vanilla if you have the chance. I liked all of the individual components of the sundae, but once you dove in it seemed like the construction wasn’t given proper attention. I’ll admit I’ve become a bit biased about this after experiencing the intense consideration that goes into Big Gay’s Salty Pimp — first sea salt, then dulce de leche in the cone, then ice cream, etc. Here the Bananarama had chunks of graham crackers on the bottom, covered in peanut butter and Fluff, then the ice cream, then the whipped cream, chocolate sauce, and graham cracker crumbs. That meant that you had to struggle to get through the ice cream to reach the crunchy crumbs and gooey Fluff, which over time stiffened up to make things even more difficult. Initially it was super goopy and true-to-name fluffy, but by the end (and trust me, we didn’t dilly-dally, since Laura is as much of a fast-eating food honeybadger as I), everything had started to congeal and required a dedicated application of elbow grease. An easy solution would be to replace the chocolate sauce with hot fudge (frankly, always a good choice), which would have kept the Fluff warmer for longer, and allowed better mixing with the graham crackers and peanut butter sauce. And just like The Elvis, Laura and I felt like there was a serious lack of bananas — why so skimpy on the fruit, PB&Co.? But as a positive, the Bananarama allowed us to sample a variety of the toppings offered, so I’ll be able to make a more strategic order the next time I stop in.

Final Thoughts:

My trip to Peanut Butter & Co.’s cafe was a great holiday present, and I’m grateful to Laura for taking me. Overall, it’s a cute homestyle spot offering familiar and comforting, if somewhat pedestrian fare. I’m happy I visited and sampled the savory menu, but I think if I go back it’ll be when the weather warms up so I can try out some of their other ice cream options (word on the street is that their milkshakes are killer). When it comes down to it, unless I suddenly develop a serious allergy, peanut butter is going to be a big part of my life for the foreseeable future.  For all of the quibbles I have about the food at their cafe, I have to applaud Peanut Butter & Co. for giving peanut butter a proper place in the spotlight, and helping to spread George Washington Carver’s message of brotherhood and legume love.

 

Peanut Butter & Co.

240 Sullivan St. (between 3rd and Bleecker)

http://ilovepeanutbutter.com/sandwichshop

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A New York Steak of Mind: Peter Luger Steakhouse

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Growing up just outside of the City in Westchester County, you would think my childhood was simply brimming with classic New York experiences. And while yes, I was lucky enough to see Broadway shows multiple times a year, chilled with the dinos at the Natural History Museum like it was my part-time job, and rode the Circle Line with my 3rd grade class, I missed out on many “typical” New York activities because they seemed cliche, touristy, and lame to a blase teenaged local. Even now, having come back to actually live in Manhattan post-college, there are still certain items left unchecked on my city to-do list, simply because of the way they make the native New Yorker hairs on the back of my neck rise (we’re not going to even engage in the from the city/from the suburbs who’s a native debate here — I’m at least a New York Stater by birth).

One of the crucial things you learn as you grow up, however, is that sometimes doing the “lame” or “touristy” thing is worthwhile. For every double-decker-open-air bus tour of Chinatown, there’s a mainstream experience that is popular because it’s actually pretty effing fantastic. Sometimes the hype is actually not hype at all, but merely an abundance of exuberance that should be heeded. And thankfully, there are still a few long-time New York institutions like Peter Luger Steakhouse to slap some starry-eyed sense into this skeptical New Yorker. Nothing like a healthy dose of history (and cholesterol-raising meat) to give a jaded girl a little bit of wonder.

I’ve talked about New York dining institutions before, but Peter Luger is in a different category. The restaurant was established not in the 21st nor 20th centuries, but way back in 1887 in then-predominantly-German neighborhood of Williamsburg (to this day mere blocks from the Williamsburg Bridge). It has been awarded one Michelin Star, was named to the James Beard Foundation’s list of “American Classics,” and was named the best steakhouse in New York by Zagat 28 years in a row (a fact they proudly showcase by lining a wall with the annual award plaques). It is the kind of place that is so popular, they can operate on a cash-only policy. Let me repeat that — a cash only policy. At a steakhouse. Well, to be honest they do honor one credit card — the Peter Luger Card. When I first heard about this, I was pretty skeptical. It sounded absurd, overblown, the kind of place that preys on poor schmucks who go to New York and think that they’re having a real authentic slice of pizza at a random “Original Ray’s.” But even before I knew of all the history and accolades, I had been told by multiple sources over and over that Peter Luger was a must-visit, a unique and extraordinary experience if you liked steak at all. So I tried to stay open-minded, paid a visit to an ATM, and made my way with a group of friends to Williamsburg last Friday night.

 

First Impressions:

The unobtrusive, classic brick facade of Peter Luger Steakhouse.

The unobtrusive, classic brick facade of Peter Luger Steakhouse, a legend looming large on the corner.

 

Because of its enduring popularity, my friend Peter was only able to score a reservation for 6 at 9:45pm, presumably the last seating of the night. Consequently, everything around Peter Luger was closed, and lent the restaurant a sort of “shining beacon” quality (this might have also been due to my intense hunger — I operate more on the early-bird special schedule than the Continental late night dining scene). Peter Luger sits squarely on the corner of its block, the decor traditional and old-fashioned both outside and in. Outside the worn dark wooden signage announces just “Peter Luger” — no mention of what kind of cuisine waits inside — above plain brick and large metal paned windows.

One of the dining rooms in Peter Luger -- plain furnishings except for some whimsical beer steins.

One of the dining rooms in Peter Luger — plain furnishings except for some whimsical beer steins.

Inside, I was immediately reminded of the German beer halls I’ve recently visited, except that here the design is based in the restaurant’s origin, rather than an appeal to a foreign cultural aesthetic. Once you step into Peter Luger you are met with oak floors, a long wooden bar, dark wood paneling and exposed crossbeams bracing white stucco walls. The impression of basic utilitarian necessity, clean but spare reigns supreme — brass chandeliers hang from the ceiling, and plain wooden tables and chairs make up the dining rooms. No tablecloths, no fancy schmancy place settings, no piped in music, and no paintings or posters. The only purely decorative objects were the series of beer steins of different colors and styles that were displayed along the dining room walls.

Even with our late reservation, the bar area was still packed with waiting parties when we arrived, so we milled around waiting to be seated and watched the staff rush from the kitchen to the three dining rooms with plates and plates of outrageously over-portioned food. Clearly this place was expensive, but you get a lot of bang for your buck. Watching the service in action, I couldn’t help but notice that all of the staff seemed to be men in their mid-40s, all dressed in the same suit of plain black pants, white shirts, and aprons, another slightly jarring sign of PL’s old-fashioned approach. Barely ten minutes later the crowds had thinned and our party was called to be seated (in fact, this was an accurate representation of the speed and quality of service — we were in and out of Peter Luger, and left very satisfied, I might add, in a little over an hour).

Sitting down to a table not so far removed from the Ikea dining set I have in my apartment (although PL’s probably has and will endure far longer than mine), we found plain white napkins, plain starter plates, stainless steel silverware and small water glasses. Oh, and a basket piled high with all different types of bread, which our waiter, a gruff but polite and attendant middle-aged man, refilled steadily until our steaks arrived.

 

The Food:

Our bountiful bread basket.

Our bountiful bread basket, with a gravy boat of Peter Luger‘s House Sauce on the right.

Our complimentary bread basket was filled with Parker House-like rolls, slightly charred at the edges, and a onion rolls speckled with salt and garlic and featuring slices of caramelized onion inside. I preferred the onion bread, although both rolls were well salted, chewy and soft. The only improvement would have been adding more onion to the inside of the rolls, to moisten the interior a bit. Alongside the basket were twin gravy boats of PL’s house steak sauce, a tomato-based, tangy condiment that reminded me of a less aggressive cocktail sauce. I tried the house sauce on nearly everything, and found, somewhat surprisingly, it pretty much compliments the menu. Peter’s girlfriend Carol (a pescetarian) even dressed her mixed green salad with it, over the blue cheese dressing she had initially chosen.

The menu at Peter Luger is as laconic as its wait staff — a bit unforgiving in the modern scene of endless options and descriptors (Grass-fed lamb shanks with rosemary clippings, chive blossoms, with a Swiss mint gelee, etc etc). Instead, you’re faced with a remarkably simple set of choices. Choose some appetizers. Choose some sides. You want steak? Choose how many people you want steak for, your options ranging from “Single Steak” to “Steak for Four,” with no elaboration on the preparation, cut, or how it is served (I guess in 1887, the idea of the empowered diner did not exist). Fortunately, most of us had done some level of research beforehand, and Diana had read that the best strategy was to get steak for (n-1), with n = the number of meateaters dining. So for our five carnivores, we would get enough steak for four people. But here’s the catch — there’s a difference between all those Steak for X entrees — what is not stated on the menu is that those are all different cuts of beef. My research had uncovered that PL’s  best cut was their Steak for Two, the Porterhouse, whereas the Steak for Four is a T-bone. We opted for two orders of the famous Steak for Two, five orders of the similarly famous bacon (offered by the single slice, and a must-try according to everyone I talked to), two orders of French Fries for Two, two orders of Onion Rings for Two, and some creamed spinach. Go big or go home, folks.

Bacon worth breaking the rules for.

Bacon worth breaking the rules for.

The bacon was the first to arrive, served as an appetizer. Now those who know me might be wondering why I ordered bacon in the first place. All through my childhood I operated under the premise that my family did not eat bacon in observance of kosher law (never mind our hypocritical love of crab crakes and beer-boiled shrimp), so I avoided any and all pork products I came across. Sometime during college my illusions were shattered when my father ordered a side of bacon at brunch, and since then, while I continue to avoid seeking out pork-based dishes (no carnitas for me), I don’t have a problem ordering a Cobb salad or a chowder with bacon in the broth. It’s hard to say no to a restaurant’s signature dish, however, so I was resigned to try Peter Luger’s bacon and see if it could win over a porcine-averse palate.

Peter Luger offers their bacon in single slice servings, which are doled out onto each plate by the waiter. Bacon-ignorant as I am, I could only guess that Peter Luger’s version is closer to the Canadian Bacon patties I’ve seen in Eggs Benedict than the thin crispy pieces on typical diner breakfast plates. The pink slice was thick, with a dark edge and lighter interior, and dwarfed my small bread-and-butter plate in length (it was probably the length of a standard oval seving dish). I tentatively cut into it, speared a bite, and suddenly understood our collective fascination with bacon.  The meat was simultaneously salty, savory, and unctuous. It was totally addictive, probably due to how how the fat content was — as Diana astutely pointed out, a cross section of the bacon revealed a small pink center bookended by delicious deposits of fat. Of course, the bacon was equally delicious dipped into the House Sauce, the sweet tang of the sauce complementing the sharp, salty meat. I’m not sure I could have had more than the one slice I got (especially considering the bounty of beef to come), but it was well worth breaking my person food rules. In what will become a common refrain in this post — listen to the hoi polloi when it comes to Peter Luger — the popular opinion knows what it’s talking about.

The steak, slightly elevated by smaller plates, mid-service.

The Steak for Two, slightly elevated by smaller plates, mid-service.

Only a few minutes after our somewhat-inappropriate bacon-induced moans of pleasure had subsided, our waiter was back, briskly removing our starter plates and replacing them with full sized dinner plates and a new set of silverware, including intimidating steak knives. Then, the main course service began. It’s a bit of a production, with multiple waiters assaulting the table with large portions of food in a precise, efficient display of well-honed showmanship. Although far from the highly-choreographed synchronized serving in high-end restaurants like Daniel, there is still a level of theatricality to the exodus of steak from the Peter Luger kitchen to each table. When our waiter brought out the bacon, he had inexplicably placed two bread-and-butter plates upside down in the middle of the table. As our steaks arrived their purpose became clear — the platters of meat are placed with one end resting on the butter plate, so the platter tilts, allowing the juices to drain down to the other end, which are then spooned back onto the steak, effectively pan-basting the meat table-side.

 

The hand-served elements of our meal, from left to right: creamed spinach, potato hash, steak.

The hand-served elements of our meal, from left to right: creamed spinach, potato hash, steak.

The porterhouses come pre-sliced, with some meat still left on the bone. Each diner is served a couple steaming pieces of the steak by one waiter, while another spoons out the creamed spinach, and a third serves the potato hash (which we didn’t know came with the steak, another insider tip that probably would have led us to opt out of the fries). The rest of the sides were served on platters, family style, in large heaping mounds. The general consensus was that at Peter Luger, the descriptive phrase “for two” implies two adults roughly equal in size to Shaq.

 

Classic steak fries -- my favorite kind.

Classic steak fries — my favorite kind.

The enormous pile of onion rings -- if a Bloomin Onion and calamari had a baby, it would taste like this.

The enormous pile of onion rings — if a Bloomin’ Onion and calamari had a baby, it would taste like this.

The creamed spinach was definitely heavy on the cream, almost the consistency of a Indian saag dish. My first bite was smooth and flavorful, but the spinach wore on me in the face of all of the fried foods and rich pieces of steak. I much preferred the fries and onion rings (what? it’s not like creamed spinach is really a “healthy choice” here). The fries were my favorite variety — thick cut steak fries, with excellent crisp on the outside and a soft starchy center. The onion rings were by far my favorite side, as evidenced by the hefty amount of damage I unleashed on the plate on my half of the table. I generally find that onion rings suffer from too many potential weaknesses, from the type of breading used to the thickness of the onion slice. But these were like the shoestring fries equivalent of onion rings, as if someone had sliced through a Bloomin’ Onion to the thinnest degree and piled it high. The thin slivers of onion were lightly fried, crunchy and crispy and well-salted to provide a contrast to the meat.

A view of the carnage mid-meal.

A view of the carnage mid-meal.

Speaking of, let’s turn our focus away from the hanger-ons and pan over to the star of the show, the Steak for Two. Even days later, it’s hard for me to articulate how delicious this piece of meat was. As I’ve mentioned before, I’ve become a part-time vegetarian these days, and even before then I’d generally opt for duck or lamb over a steak, but when I bit into the porterhouse at Peter Luger, I suddenly remembered why I’ve never turned in my carnivore card. This was, hands down, legitimately one of the best steaks I’ve ever eaten — it was perfectly medium rare, with a vibrant pink center, and dripping with juice as you cut into it. The first bite released an explosion of earthy, funky beef flavor with great crust on the outside, tender as you chewed, and slowly melting on your tongue to linger as a smooth, naturally umami aftertaste.

 

Bowls of shlag on a nearby table, waiting to be served.

Bowls of shlag on a nearby table, waiting to be served.

Although Serious Eats has named Peter Luger as having one of the best hot fudge sundaes in NYC (slightly dubious since they use Haagen Daz ice cream), we were way too full to test that claim. However, over the course of our entire meal we had seen waiters walk by with heaping bowls of whipped cream (referred to as “schlag”) as topping for the various desserts. As a lifelong whipped cream fanatic (I’ll choose it over frosting any day), I jokingly said we should ask our waiter if we could just get a bowl of schlag for dessert. Peter seized on my idea, and as soon as our waiter appeared to clear the table, Peter asked him if that was possible, literally inquiring as to if they would accommodate us, maybe for a little extra  (like $3 or something). Without a saying a word, our waiter just disappeared back into the kitchen, the doors barely swinging closed before he emerged with a full bowl of shlag exclusively for our table. While the bowl had only one spoon with it, it was served alongside PL’s signature parting gift, a bunch of chocolate coins (it’s Chanukah in August!), which served as excellent vehicles to shove the shlag into our mouths (I did eventually ask for more spoons). The shlag was heavenly — real whipped heavy cream, instead of the pressurized Reddiwhip. It was thick and slightly sweet with a faint vanilla flavoring. I would honestly go back just to get the chance to have more shlag. It was a truly decadent way to end an absurdly indulgent evening.

A bowl of shlag to call our own, with Peter Luger gelt for dipping!

A bowl of shlag to call our own, with Peter Luger gelt for dipping!

Final Thoughts:

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There are countless movies and TV shows featuring an awestruck out-of-towner “discovering” New York, marveling at the tall buildings, boating on the lake in Central Park, and spinning around Times Square, overwhelmed by the glitz and glamour. Unfortunately, it’s hard to live day-to-day in this city and not start to notice the grime coating those bright lights. Between the homeless people, the piles of garbage, and the way the streets smell faintly of urine in the summer — it can be hard to keep the magic of the Big Apple in mind, especially when something just dripped on you and there’s not a cloud in the sky.

But sometimes the City finds a way to rub some more of that metropolitan sparkle into your eyes, finds a way to remind you of the collision of history, cultures, and sheer humanity that makes up New York. The fact that within a week I can eat at both the trendy, multicultural Spice Market and the traditional, fuhgeddaboudit, historic landmark Peter Luger Steakhouse is a testament to the endless possibilities of life in New York. My dinner at Peter Luger was a great wake-up call, a classically New York experience — this is how we do things, and you can like it or leave it. Well, like most of the diners at Peter Luger, I really, really liked it. From porterhouse-pros to those less beef-inclined, everyone should check it out, and at least put those Zagat claims to the test. Get a taste of history, get a bit of a New York attitude purer than that at the Bubba Gump Shrimp Co., and for the love of God, get a bowl of shlag. Trust me — I’m from around here.

 

Peter Luger Steakhouse

178 Broadway (at Driggs Ave)

peterluger.com